| Beteiligte: | |
|---|---|
| veröffentlicht: | Chicago, Ill. A Capella 2000 |
| Medientyp: | Buch, E-Book |
| Beschreibung: | Includes index |
|---|---|
| Umfang: | 234 S. |
| ISBN: |
1556524064
9781556524066 |
| Ausgabe: | 1. ed. |
| Sprache: | Englisch |
| Schlagwörter: | |
| Kollektion: | Verbunddaten SWB Verbundkatalog Film |
Machine generated contents note: Acknowledgments v -- Introduction: Is the Producer Always Right? 1 -- Chapter One: Is the Cinema Really Dead? 19 -- Chapter Two: Some Vagaries of Distribution and Exhibition 39 -- Chapter Three: Some Vagaries of Promotion and Criticism 49 -- Chapter Four: At War with Cultural Violence: The Critical -- Reception of Small Soldiers 63 -- Chapter Five: Communications Problems and Canons 79 -- Chapter Six: The AFI's Contribution to Movie Hell: or, How -- I Learned to Stop Worrying and Love American Movies 91 -- Chapter Seven: Isolationism as a Control System 107 -- Chapter Eight: Multinational Pest Control: Does American -- Cinema Still Exist? 129 -- Chapter Nine: Trafficking in Movies (Festival-Hopping -- in the Nineties) 143 -- Chapter Ten: Orson Welles as Ideological Challenge 175 -- Conclusion: The Audience Is Sometimes Right 197 -- Index 227 |
| Machine generated contents note: Acknowledgments vIntroduction: Is the Producer Always Right? 1 -- Chapter One: Is the Cinema Really Dead? 19 -- Chapter Two: Some Vagaries of Distribution and Exhibition 39 -- Chapter Three: Some Vagaries of Promotion and Criticism 49 -- Chapter Four: At War with Cultural Violence: The Critical -- Reception of Small Soldiers 63 -- Chapter Five: Communications Problems and Canons 79 -- Chapter Six: The AFI's Contribution to Movie Hell: or, How -- I Learned to Stop Worrying and Love American Movies 91 -- Chapter Seven: Isolationism as a Control System 107 -- Chapter Eight: Multinational Pest Control: Does American -- Cinema Still Exist? 129 -- Chapter Nine: Trafficking in Movies (Festival-Hopping -- in the Nineties) 143 -- Chapter Ten: Orson Welles as Ideological Challenge 175 -- Conclusion: The Audience Is Sometimes Right 197 -- Index 227. |