Bibliographische Detailangaben
Beteiligte: Prince, Stephen (VerfasserIn)
veröffentlicht:
Piscataway Rutgers University Press 2004
Teil von: EBL-Schweitzer
Medientyp: Buch, E-Book

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Beschreibung: Description based upon print version of record
Umfang: Online-Ressource (1 online resource (280 p.))
ISBN: 9780813542577
081354257X
Ausgabe: Online-Ausg.
Sprache: Englisch
Teil von: EBL-Schweitzer
Schlagwörter:
Kollektion: Verbunddaten SWB
Inhaltsangabe

Contents; Introduction: The Dark Genre and Its Paradoxes; The Silent and Classical Hollywood Eras; Shadow-Souls and Strange Adventures: Horror and the Supernatural in European Silent Film; Before Sound: Universal, Silent Cinema, and the Last of the Horror-Spectaculars; Children of the Night; The Horrors of War; The Modern Era; Postmodern Elements of the Contemporary Horror Film; Dread, Taboo, and The Thing: Toward a Social Theory of the Horror Film; Toward an Aesthetics of Cinematic Horror; Scraping Bottom: Splatter and the Herschell Gordon Lewis Oeuvre; Mondo Horror: Carnivalizing the Taboo

Horror and Art-DreadHorror and the Holocaust: Genre Elements in Schindler's List and Psycho; Developmental Differences in Responses to Horror; The Appeal of Horror and Suspense; Contributors; Index

In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow.Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series