Bibliographische Detailangaben
Beteiligte: Aldama, Frederick Luis (VerfasserIn)
veröffentlicht:
Oxford Oxford University Press USA - OSO 2020
©2020
Teil von: Oxford Handbooks Ser.
Medientyp: Buch, E-Book

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Beschreibung: Description based on publisher supplied metadata and other sources
Umfang: 1 online resource (745 pages)
ISBN: 9780190917968
0190917962
Sprache: Englisch
Teil von: Oxford Handbooks Ser.
Schlagwörter:
Weitere Ausgaben: The Oxford handbook of comic book studies
Kollektion: Verbunddaten SWB
Inhaltsangabe

The Oxford Handbook of Comic Book Studies examines the history and evolution of the visual narrative genre from a global perspective. The Handbook brings together readable, jargon-free essays written by established and emerging scholars from diverse geographic, institutional, gender, and national backgrounds.

Cover -- Comic Book Studies -- Copyright -- Contents -- Contributors -- Our World Republic of Comics: An Introduction -- Works Cited -- Part I: Is a Comic? -- Chapter 1: What Kind of Studies Is Comics Studies? -- Notes -- Works Cited -- Chapter 2: Why There Is No "Language of Comics" -- What is Language in the First Place? -- Types of Language -- Natural Languages -- Artificial Languages -- Language Acquisition and Modalities -- Standard Languages and Dialects -- Multilingual Comics and Translations -- Language as Social Interaction -- Politeness and Politeness Strategies -- Speech Act Theory -- Conversation -- If Comics Aren't Language, Then What Are They? -- Note -- Works Cited -- Dictionaries Consulted -- Chapter 3: In Box: Rethinking Text in the Digital Age -- Reading the Speech Bubble -- Reading "Speech Bubble" -- On Reading and Being Close -- Works Cited -- Chapter 4: What Else Is a Comic?: Between Bayeux and Beano -- Processions -- Curtains -- Staircase -- Calendars -- Wheels -- Decks -- Works Cited -- Chapter 5: Reading Spaces: The Politics of Page Layout -- Sequence versus Space -- Fundamental Studies of Page Layout -- The Location of Space -- Fun Home: Home on the Grid -- Baddawi: Weaving between the Lines -- Red: A Haida Deconstruction of the Book -- Politicizing Art . . . of the Page -- Works Cited -- Chapter 6: Comics as Art -- Notes -- Works Cited -- Chapter 7: The Cartoon on the Comics Page: A Phenomenology -- Line: Creatorship and Otherness -- Shape: Iconicity as Specificity -- Construction: Visible Parts, Indivisible Whole -- Character: Signifier as Referent -- Value: Aura through Reproduction -- Relation: Hyper-Exteriority and Hyper-Interiority -- Perspective: Between Planar Grid and Curved Surface -- Sequence: Variation as Validation -- Notes -- Works Cited.