Bibliographische Detailangaben
Beteiligte: Smith, Matthew J. (HerausgeberIn), Duncan, Randy (HerausgeberIn)
Verfasserangabe: ed. by Matthew J. Smith and Randy Duncan
veröffentlicht:
New York [u.a.] Routledge 2012
Medientyp: Buch, E-Book

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Beschreibung: Includes bibliographical references and index
Umfang: XVIII, 310 S.; Ill; 26 cm
Notiz: Wordless comics: the imaginative appeal of Peter Kuper's The System
Comics modes: caricature and illustration in the Crumb Family's Dirty Laundry
Image functions: shape and color as hermeneutic images in Asterios Polyp
Time and narrative: unity and discontinuity in The invisibles
Mise en scène and framing: visual storytelling in Lone Wolf and Cub
Abstract form: sequential dynamism and iconostasis in abstract comics and Steve Ditko's Amazing Spider-Man
Philosophy: "the triumph of the human spirit" in X-men
Comics journalism: drawing on words to picture the past in Safe Area Goražde
Propaganda: the pleasures of persuasion in Captain America
Political economy: manipulating demand and "The Death of Superman"
Culture of consumption:commodification through Superman--return to Krypton
Ethnography of production: editor Axel Alonso and the sale of ideas
Auteur criticism: the re-visionary works of Alan Moore
History: discovering the story of Jerry Siegel and Joe Shuster
Genre: reconstructing the superhero in All star Superman
Ideology: the construction of race and history in Tintin in the Congo
Feminism: second-wave feminism in the pages of Lois Lane
Intertextuality: superrealist intertextualities in Max's Bardín
Cultural studies: British girls' comics, readers and memories
Ethnography: wearing one's fandom
Critical tthnography: the comics shop as cultural clubhouse
ISBN: 9780415885553
9780415885546
041588554X
Ausgabe: 1. publ.
Sprache: Englisch
Schlagwörter:
Kollektion: Verbunddaten SWB
Inhaltsangabe
Form -- Content -- Production -- Context -- Reception.
Wordless comics: the imaginative appeal of Peter Kuper's The System \ David Beronä
Comics modes: caricature and illustration in the Crumb Family's Dirty Laundry \ Joseph Witek
Image functions: shape and color as hermeneutic images in Asterios Polyp \ Randy Duncan
Time and narrative: unity and discontinuity in The invisibles \ Marc Singer
Mise en scène and framing: visual storytelling in Lone Wolf and Cub \ Pascal Lefèvre
Abstract form: sequential dynamism and iconostasis in abstract comics and Steve Ditko's Amazing Spider-Man \ Andrei Molotiu
Philosophy: "the triumph of the human spirit" in X-men \ Jeff McLaughlin
Comics journalism: drawing on words to picture the past in Safe Area Goražde \ Amy Kiste Nyberg
Propaganda: the pleasures of persuasion in Captain America \ Christopher Murray
Political economy: manipulating demand and "The Death of Superman" \ Mark Rogers
Culture of consumption:commodification through Superman--return to Krypton \ Ian Gordon
Ethnography of production: editor Axel Alonso and the sale of ideas \ Stanford W. Carpenter
Auteur criticism: the re-visionary works of Alan Moore \ Matthew J. Smith
History: discovering the story of Jerry Siegel and Joe Shuster \ Brad J. Ricca
Genre: reconstructing the superhero in All star Superman \ Peter Coogan
Ideology: the construction of race and history in Tintin in the Congo \ Leonard Rifas
Feminism: second-wave feminism in the pages of Lois Lane \ Jennifer K. Stuller
Intertextuality: superrealist intertextualities in Max's Bardín \ Ana Merino, translated by Elizabeth Polli
Cultural studies: British girls' comics, readers and memories \ Mel Gibson
Ethnography: wearing one's fandom \ Jeffrey A. Brown
Critical tthnography: the comics shop as cultural clubhouse \ Brian Swafford.