Beteiligte: | , |
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Verfasserangabe: | ed. by Matthew J. Smith and Randy Duncan |
veröffentlicht: |
New York [u.a.]
Routledge
2012
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Medientyp: | Buch, E-Book |
Beschreibung: | Includes bibliographical references and index |
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Umfang: | XVIII, 310 S.; Ill; 26 cm |
Notiz: | Wordless comics: the imaginative appeal of Peter Kuper's The System Comics modes: caricature and illustration in the Crumb Family's Dirty Laundry Image functions: shape and color as hermeneutic images in Asterios Polyp Time and narrative: unity and discontinuity in The invisibles Mise en scène and framing: visual storytelling in Lone Wolf and Cub Abstract form: sequential dynamism and iconostasis in abstract comics and Steve Ditko's Amazing Spider-Man Philosophy: "the triumph of the human spirit" in X-men Comics journalism: drawing on words to picture the past in Safe Area Goražde Propaganda: the pleasures of persuasion in Captain America Political economy: manipulating demand and "The Death of Superman" Culture of consumption:commodification through Superman--return to Krypton Ethnography of production: editor Axel Alonso and the sale of ideas Auteur criticism: the re-visionary works of Alan Moore History: discovering the story of Jerry Siegel and Joe Shuster Genre: reconstructing the superhero in All star Superman Ideology: the construction of race and history in Tintin in the Congo Feminism: second-wave feminism in the pages of Lois Lane Intertextuality: superrealist intertextualities in Max's Bardín Cultural studies: British girls' comics, readers and memories Ethnography: wearing one's fandom Critical tthnography: the comics shop as cultural clubhouse |
ISBN: |
9780415885553
9780415885546 041588554X |
Ausgabe: | 1. publ. |
Sprache: | Englisch |
Schlagwörter: | |
Kollektion: | Verbunddaten SWB |
Form -- Content -- Production -- Context -- Reception. Wordless comics: the imaginative appeal of Peter Kuper's The System \ David Beronä Comics modes: caricature and illustration in the Crumb Family's Dirty Laundry \ Joseph Witek Image functions: shape and color as hermeneutic images in Asterios Polyp \ Randy Duncan Time and narrative: unity and discontinuity in The invisibles \ Marc Singer Mise en scène and framing: visual storytelling in Lone Wolf and Cub \ Pascal Lefèvre Abstract form: sequential dynamism and iconostasis in abstract comics and Steve Ditko's Amazing Spider-Man \ Andrei Molotiu Philosophy: "the triumph of the human spirit" in X-men \ Jeff McLaughlin Comics journalism: drawing on words to picture the past in Safe Area Goražde \ Amy Kiste Nyberg Propaganda: the pleasures of persuasion in Captain America \ Christopher Murray Political economy: manipulating demand and "The Death of Superman" \ Mark Rogers Culture of consumption:commodification through Superman--return to Krypton \ Ian Gordon Ethnography of production: editor Axel Alonso and the sale of ideas \ Stanford W. Carpenter Auteur criticism: the re-visionary works of Alan Moore \ Matthew J. Smith History: discovering the story of Jerry Siegel and Joe Shuster \ Brad J. Ricca Genre: reconstructing the superhero in All star Superman \ Peter Coogan Ideology: the construction of race and history in Tintin in the Congo \ Leonard Rifas Feminism: second-wave feminism in the pages of Lois Lane \ Jennifer K. Stuller Intertextuality: superrealist intertextualities in Max's Bardín \ Ana Merino, translated by Elizabeth Polli Cultural studies: British girls' comics, readers and memories \ Mel Gibson Ethnography: wearing one's fandom \ Jeffrey A. Brown Critical tthnography: the comics shop as cultural clubhouse \ Brian Swafford. |