| Beteiligte: | |
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| veröffentlicht: | Rochester, NY [u.a.] Camden House 2013 |
| Teil von: |
Screen Cultures: German Film and the Visual
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| Medientyp: | Buch, E-Book |
| Beschreibung: | Includes filmography (S. [313]-314). - Includes bibliographical references (S. [313]-330) and index |
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| Umfang: | XI, 348 S.; Ill |
| ISBN: |
1571139419
9781571139412 1571134387 9781571134387 |
| Ausgabe: | 1. publ. |
| Sprache: | Englisch |
| Teil von: |
Screen Cultures: German Film and the Visual
|
| Schlagwörter: | |
| Online-Ausg.: |
Abel, Marco, The counter-cinema of the Berlin School, Rochester, NY : Camden House, 2013, Online-Ressource (XI, 348 S.)
Mehr ... |
| Kollektion: | Verbunddaten SWB Verbundkatalog Film |
Introduction: "So this was Germany?" a preliminary account of the Berlin School -- The first wave. Thomas Arslan: realism beyond identity -- Christian Petzold: Heimat-building as utopia -- Angela Schanelec: narrative, understanding, language -- The second wave. Revolver-cinema and "lectrons libres" "cinema must be dangerous" -- Christoph Hochhäusler: intensifying life -- Benjamin Heisenberg: filming simply as resistance -- Valeska Grisebach: "a sharpening of our regard" -- Maren Ade: filming the (ab)normality of social conventions -- Ulrich Köhler: the politics of refusal -- Conclusion: a counter-cinema |
| Introduction: So this was Germany - a preliminary account of the Berlin School -- I. The first wave -- 1. Thomas Arslan: realism beyond identity -- 2. Christian Petzold: Heimat-building as utopia -- 3. Angela Schanelec: narrative, understanding, language -- II. The second wave -- 4. Revolver-cinema and Électrons libres: cinema must be dangerous -- 5. Christoph Hochhäusler: intensifying life -- 6. Benjamin Heisenberg: filming simply as resistance -- 7. Valeska Grisebach: a sharpening of our regard -- 8. Maren Ade: filming the between sincerity and irony -- 9. Ulrich Köhler: the politics of refusal -- Conclusion: a counter-cinema. |