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| veröffentlicht: | New York, NY [u.a.] Oxford Univ. Press c 2014 |
| Medientyp: | Buch, E-Book |
| Beschreibung: | Includes bibliographical references and index |
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| Umfang: | XII, 483 S.; Ill; 26 cm |
| Notiz: | IntroductionWhat is Japanese cinema studies?: Japanese cinema and cinema studies. Japanese film without Japan: toward a nondisciplined film studies Triangulating Japanese film style Critical reception: historical conceptions of Japanese film criticism Creating the audience: cinema as popular recreation and social education in modern Japan What is Japanese cinema?: Japanese cinema and the transnational network. Adaptation as "transcultural mimesis" in Japanese cinema The edge of montage: a case of modernism/modanizumu in Japanese cinema Nationalizing Madame Butterfly: the formation of female stars in Japanese cinema Performing colonial identity: Byeonsa, colonial film spectatorship, and the formation of national cinema in Korea under Japanese colonial rule Outpost of hybridity: Paramount's campaign in Japan, 1952-1962 Erasing China in Japan's "Hong Kong films" The emergence of the Asian Film Festival: Cold War Asia and Japan's reentrance to the regional film industry in the 1950s Yamagata-Asia-Europe: the International Film Festival short circuit What Japanese cinema is!: Japanese cinema and the intermedial practices. Nitrate film production in Japan: a historical background of the early days Sketches of silent film sound in Japan: theatrical functions of ballyhoo, orchestras and Kabuki ensembles The Jidaigeki film: Twilight Samurai--A Salaryman--Producer's Point of View Occupation and memory: the representation of woman's body in postwar Japanese cinema Reading Nishijin (1961) as cinematic memory By other hands: environment and apparatus in 1960s intermedia Viral contagion in the Ringu intertext Media mix and the metaphoric economy of world |
| ISBN: |
9780199731664
0199731667 |
| Sprache: | Englisch |
| Schlagwörter: | |
| Online-Ausg.:: | The Oxford handbook of Japanese cinema, Oxford [u.a.] : Oxford Univ. Press, 2014, XII, 483 S. |
| Kollektion: | Verbunddaten SWB |
| IntroductionWhat is Japanese cinema studies?: Japanese cinema and cinema studies. Japanese film without Japan: toward a nondisciplined film studies \ Eric Cazdyn Triangulating Japanese film style \ Ben Singer Critical reception: historical conceptions of Japanese film criticism \ Aaron Gerow Creating the audience: cinema as popular recreation and social education in modern Japan \ Hideaki Fujiki What is Japanese cinema?: Japanese cinema and the transnational network. Adaptation as "transcultural mimesis" in Japanese cinema \ Michael Raine The edge of montage: a case of modernism/modanizumu in Japanese cinema \ Chika Kinoshita Nationalizing Madame Butterfly: the formation of female stars in Japanese cinema \ Daisuke Miyao Performing colonial identity: Byeonsa, colonial film spectatorship, and the formation of national cinema in Korea under Japanese colonial rule \ Dong Hoon Kim Outpost of hybridity: Paramount's campaign in Japan, 1952-1962 \ Hiroshi Kitamura Erasing China in Japan's "Hong Kong films" \ Kwai Cheung Lo The emergence of the Asian Film Festival: Cold War Asia and Japan's reentrance to the regional film industry in the 1950s \ Sangjoon Lee Yamagata-Asia-Europe: the International Film Festival short circuit \ Abé Mark Nornes What Japanese cinema is!: Japanese cinema and the intermedial practices. Nitrate film production in Japan: a historical background of the early days \ Hidenori Okada (translated by Ayako Saito and Daisuke Miyao) Sketches of silent film sound in Japan: theatrical functions of ballyhoo, orchestras and Kabuki ensembles \ Shuhei Hosokawa The Jidaigeki film: Twilight Samurai--A Salaryman--Producer's Point of View \ Ichiro Yamamoto (translated by Diane Wei Lewis) Occupation and memory: the representation of woman's body in postwar Japanese cinema \ Ayako Saito Reading Nishijin (1961) as cinematic memory \ Mitsuyo Wada-Marciano By other hands: environment and apparatus in 1960s intermedia \ Miryam Sas Viral contagion in the Ringu intertext \ Carlos Rojas Media mix and the metaphoric economy of world \ Alexander Zahlten. |