Bibliographische Detailangaben
Beteiligte: Navitski, Rielle (HerausgeberIn), Poppe, Nicolas (HerausgeberIn)
Verfasserangabe: edited by Rielle Navitski and Nicolas Poppe.
veröffentlicht:
Bloomington, Indiana Indiana University Press 2017
Teil von: New Directions in National Cinemas
New Directions in National Cinemas Ser
Medientyp: Buch, E-Book

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Umfang: 1 online resource (391 pages)
ISBN: 9780253026552
Sprache: Englisch
Teil von: New Directions in National Cinemas
New Directions in National Cinemas Ser
Schlagwörter:
Kollektion: Verbunddaten SWB
Inhaltsangabe

Cover -- COSMOPOLITAN FILM CULTURES IN LATIN AMERICA, 1896-1960 -- Title -- Copyright -- Dedication -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- Part I. The Silent Era: Between Global Capitalism and National Modernization -- Primary text: "The Lumière Cinematograph," El Monitor Republicano (Mexico City), August 16, 1896 -- 1 Gabriel Veyre and Fernand Bon Bernard, Representatives of the Lumière Brothers in Mexico -- Primary text: Tic-Tac (Carlos Villafañe), "The Show on June 15th," Películas (Bogotá), June 1919 -- 2 Films on Paper: Early Colombian Cinema Periodicals, 1916-1920 -- Primary text: Enrique Méndez Calzada, "The Lover of Rudolph Valentino," from And Christ Returned to Buenos Aires (1926) -- 3 Manipulation and Authenticity: The Unassimilable Valentino in 1920s Argentina -- Part II. The Interwar Period: Between Hollywood and the Avant-Garde -- Primary text: Felipe de Leiva, "Memoirs of an Extra," Cinelandia (Hollywood), November-December 1927 -- 4 Mediating the "Conquering and Cosmopolitan Cinema": US Spanish-Language Film Magazines and Latin American Audiences, 1916-1948 -- Primary text: Octávio de Faria, "Russian Cinema and Brazilian Cinema," O Fan (Rio de Janeiro), October 1928 -- 5 Parallel Modernities?: The First Reception of Soviet Cinema in Latin America -- Primary text: Guillermo de Torre, "The 'Cineclub' of Buenos Aires," La Gaceta Literaria (Madrid), April 1, 1930 -- 6 A Gaze Turned Toward Europe: Modernity and Tradition in the Work of Horacio Coppola -- Part III. The Golden Age of Latin American Film Industries: Negotiating the Popular and the Cosmopolitan -- Primary text: John Alton, "Motion Picture Production in South America," International Photographer (Hollywood), May 1934 -- 7 John Alton in Argentina, 1932-1939 / Nicolas Poppe

8 The Golden Age Otherwise: Mexican Cinema and the Mediations of Capitalist Modernity in the 1940s and 1950s -- Primary text: Gabriel García Márquez, "The Mambo," El Heraldo (Barranquilla), January 12, 1951 -- 9 Bad Neighbors: Pérez Prado, Cinema, and the Politics of Mambo -- Part IV. The Afterlives of Moving Images: Cinephilia and Cult Spectatorship -- Primary text: Thomas E. Sibert, "Fox Film de Cuba, S.A.'s Continuing Competition for Scholarships to Summer School at the Universidad de La Habana" (unpublished circular, June 1956) -- 10 Film Culture and Education in Republican Cuba: The Legacy of José Manuel Valdés-Rodríguez -- 11 The Secret History of Aztlán: Speculative Histories, Transnational Exploitation Film, and Unexpected Cultural Flows -- INDEX