| Beteiligte: | , |
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| veröffentlicht: | Oxford University Press 2020 |
| Medientyp: | Buch, E-Book |
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| Umfang: | 284; Oxford; 137 x 216 x 20 |
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| ISBN: |
9780190701321
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| Kollektion: | PDA Print VUB |
| Foreword Rachel Dwyer Preface Ali Khan and Ali Nobil Ahmad Introduction: What is (Pakistani) Cinema? Ali Nobil Ahmad Part I: Cinematic Pasts 1. Lineages of Pakistan's 'Urdu' Cinema: Mode, Mood, and Genre in Zehr-e-Ishq (Poison of Love, 1958) Iftikhar Dadi 2. Mirrors of Movement: aina: Afzal Chowdhury's Cinematography and the Interlinked Histories of Cinema in Pakistan and Bangladesh Lotte Hoek 3. Cross-wing Filmmaking: East Pakistani Urdu Films and their Traces in the Bangladesh Film Archive Lotte Hoek 4. Umar Marvi and the Representation of Sindh: Cinema and Modernity in the Margins Julien Levesque and Camille Bui Part II: Archives 5. Pakistani Film (1948) Sa'adat Hasan Manto 6. Colour in Film: Why and To What End? (1947) Muhammad Hasan Askari 7. Building Pakistan and Filmmaking (1949) Muhammad Hasan Askari 8. Minimum Standards (1983) Faiz Ahmed Faiz 9. Independent Filmmaking in Pakistan: An Interview with Sabiha Sumar (2013) Part III: Transitions 10. Pakistani Film Poster Art Ali Khan 11. Kharak Kita Oi!: Masculinity, Caste, and Gender in Punjabi films Iqbal Sevea 12. 'A Camera From the Time of the British': Film Technologies and Aesthetic Exclusion in Pakistani cinema Gwendolyn S. Kirk 13. Working Class Zombies and Men in Burqas: Temporality, Trauma, and the Spectre of Nostalgia in zibahkhana Gwendolyn S. Kirk 14. The Circulatory Dynamics of Pakistani Film: Approaches to the Circulation of Film Media Across Formats Timothy P. A. Cooper Afterword Kamran Asdar Ali Notes on Contributors Index |