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| veröffentlicht: | Cambridge : Cambridge University Press, 2000. ©2000. |
| Medientyp: | Buch, E-Book |
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| Umfang: | 1 online resource (180 pages) |
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| ISBN: |
9780511155406
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| Ausgabe: | 1st ed. |
| Sprache: | Englisch |
| Schlagwörter: | |
| Print version:: | Buckland, Warren, The Cognitive Semiotics of Film, Cambridge : Cambridge University Press,c2000 |
| Kollektion: | E-Books adlr |
Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Presenting a survey of cognitive film semiotics, this study also re-evaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward 'post-theory' in film studies. |
| Cover Title Copyright Dedication CHAPTER ONE The Cognitive Turn in Film Theory The Language Analysis Tradition Noam Chomsky and the Study of Competence Chapter Contents CHAPTER TWO The Body on Screen and in Frame Disembodied Structures and Schemata in Film Theory: Metz, Bordwell, Colin Cognitive Semantics A Cognitive Semantics of Film CHAPTER THREE Not What Is Seen through the Window but the Window Itself Reflexivity, Metalanguage, Anaphora Francesco Casetti on 'Personal' Filmic Enunciation Christian Metz on Impersonal Filmic Enunciation Deixis, Television, and Digital Colorization The Impossibility of Textual Analysis? CHAPTER FOUR The Institutional Context Meaning, Context, and the Mind Meaning Minus Semantics The Space of Filmic Communication Modes Operations Institutions The Documentary, Home Movie, and 'Dynamic' Modes of Filmmaking CHAPTER FIVE All in the Mind? Transformational Generative Grammar ''The Grande Syntagmatique Revisited'' (Michel Colin) Generative Theories of Film Grammar Film Semiotics and Cognitive Science Conclusion Post-Theory? Notes Chapter One. The Cognitive Turn in Film Theory Chapter Two. The Body on Screen and in Frame Chapter Three. Not What Is Seen through the Window but the Window Itself Chapter Four. The Institutional Context Chapter Five. All in the Mind? Conclusion Bibliography of Works Cited General Film Studies Index. |