Beteiligte: | |
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veröffentlicht: | Cambridge : Cambridge University Press, 2001. ©2001. |
Medientyp: | Buch, E-Book |
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Umfang: | 1 online resource (251 pages) |
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ISBN: |
9780511154423
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Ausgabe: | 1st ed. |
Sprache: | Englisch |
Schlagwörter: | |
Print version:: | Izod, John, Myth, Mind and the Screen, Cambridge : Cambridge University Press,c2001 |
Kollektion: | E-Books adlr |
Myth, Mind and the Screen, first published in 2001, is a systematic attempt to apply Jungian theory to the analysis of films (including 2001: A Space Odyssey, The Silence of the Lambs and The Piano) as well as a variety of cultural icons and products such as Madonna, Michael Jackson and televised sport. |
Cover Half-title Series-title Title Copyright Dedication Contents Acknowledgements Introduction 1 Jungian theory, textual analysis and audience play 2 Archetypal images: signification and the psyche 3 Archetypal images: symbols and the cultural unconscious 4 The Piano, the animus and colonial experience 5 The pop star as icon Androgyny and stardom: cultural meanings of Michael Jackson A goddess who comes? Madonna as trickster 6 The quest of a female hero: The Silence of the Lambs 7 Television sport and the sacrificial hero 8 The polycentred self: The Passion of Darkly Noon 9 Haunted: searching for the whole self 10 Transforming the final ghost: the god within Conclusion Filmography COLD LAZARUS (Renny Rye, GB, 1996) DIVA ( Jean-Jacques Beineix, France, 1981) GHOST (Jerry Zucker, 1990, USA) INTERVIEW WITH DENNIS POTTER (GB, 1994) KARAOKE (Renny Rye, GB, 1996) THE PASSION OF DARKLY NOON (Philip Ridley, UK/ Germany/ Belgium, 1996) THE PIANO ( Jane Campion, Australia, 1993) THE SILENCE OF THE LAMBS (Jonathan Demme, USA, 1990) TRULY, MADLY, DEEPLY (Anthony Minghella, UK, 1990) 2001: A SPACE ODYSSEY (Stanley Kubrick, GB, 1968) THE X-FILES: PARANORMAL ACTIVITY Glossary of Jungian and related terms References Index. |