Beteiligte: | , , , |
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veröffentlicht: |
Bloomington :
John Libbey & Company, Limited,
2014.
©2014. |
Medientyp: | Buch, E-Book |
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Umfang: | 1 online resource (389 pages) |
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ISBN: |
9780861969104
|
Ausgabe: | 1st ed. |
Sprache: | Englisch |
Schlagwörter: | |
Print version:: | Askari, Kaveh, Performing New Media, 1890-1915, Bloomington : John Libbey & Company, Limited,c2014 |
Kollektion: | E-Books adlr |
This collection of essays considers the ways in which different visual practices carried out at the turn of the 20th century shaped performances on and beside the screen. |
Intro Cover Half title Title Copyright Contents Introduction Part I Performing on the Screen: Actors and Personalities Chapter 1 Lois Weber at Rex: Performing Femininity Across Media Chapter 2 Diva Intermedial: Lyda Borelli between Art, Photography, Theatre and Cinema Chapter 3 Why Sue 'Little Mary?': How Independent Moving Pictures Company of America v Gladys Smith and Owen Moore (1911) Defined Celebrity and Professionalism for Film Actors Chapter 4 Camera Distance and Acting in Griffith Biographs Chapter 5 Performance Times: The Lightning Cartoon and the Emergence of Animation Chapter 6 La transparence du Fregoligraph en question Chapter 7 In the Flesh: Personal Appearances and the Picture Personality in Britain Chapter 8 Performers - Now Synchronised on Screen Part II Performing Beside the Screen: Narrators, Showmen, and Musicians Chapter 9 Missing Believed Lost: The Film Narrator, Then and Now Chapter 10 Standards of Practice in Transition: The Showmanship of Jasper Redfern as It Emerged Chapter 11 Showmanship Skills and the Changing Role of the Exhibitor in 1910s Scotland Chapter 12 Showing Film in Winter (1904-1906): Albert Frères' Film Galas in Dutch Multipurpose Buildings Chapter 13 Performing New Media and the Creation of National Identity: Kräusslich and Köpke in Norway before 1910 Chapter 14 Music Programming and the Formation of Swedish Cinema Culture Chapter 15 'Marvelous and Fascinating': L. Frank Baum's Fairylogue and Radio-Plays (1908) Chapter 16 The Multiple-Media Lecture: Racing with Death in Antarctic Blizzards (1915) Part III Performing with the Screen: Audiences, Educators and Officials Chapter 17 Kinoreformbewegung Revisited: Performing the Cinematograph as a Pedagogical Tool. Chapter 18 Health on Display: The Panama-Pacific International Exposition as Sanitary Venue Chapter 19 Lyrical Education: Music and Colour in Early Nonfiction Film Chapter 20 'Offensive and Riotous Behavious'? Performing the of Role of an Audience in Irish Cinema of the mid-1910s Chapter 21 Tango Mad and Affected by Cinematographitis: Rhythmic 'Contagions' between Screens and Audiences in the 1910s Part IV Intermedial Performance Chapter 22 Screening Sensations and Live Performance: the Creative Blending of Traditional and New Projected Media at the Start of the Twentieth Century Chapter 23 Le spectacle de lanterne magique considéré sous l'angle de la conférence : quelques traces écrites d'une performance orale Chapter 24 Getting to Know the Dutch: Magic Lantern Slides as Traces of Intermedial Performance Practices Chapter 25 20 Minutes or Less: Short-Form Film-and-Theatre Hybrids - Skits, Sketches, Playlets, & Acts in Vaudeville, Variety, Revues, & c. Chapter 26 Between Karagöz and Cinema: Connectivity, Mobility, Collectivity, Collectivity Chapter 27 Entre nouveauté et continuité : Le spectacle cinématographique serait-il une émergence des ombres françaises? Chapter 28 'Performed live and talking. No Kinematograph.' Amateur Performances of Tableaux Vivants and Local Film Exhibition in Germany around 1900 Chapter 29 Performing Painting: Projected Images as Living Pictures Chapter 30 Colour as Performance in Visual Music, Film Tinting and Digital Painting Coda Chapter 31 Early Cinema Today and its 'Digital Performance': The Re-discovery of The Soldier's Courtship (1896) Editors and Contributors Index of Films Index of Names. |