Bibliographische Detailangaben
Beteiligte: Askari, Kaveh, Curtis, Scott, Gray, Frank, Pelletier, Louis
veröffentlicht:
Bloomington : John Libbey & Company, Limited, 2014.
©2014.
Medientyp: Buch, E-Book

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weitere Informationen
Umfang: 1 online resource (389 pages)
ISBN: 9780861969104
Ausgabe: 1st ed.
Sprache: Englisch
Schlagwörter:
Print version:: Askari, Kaveh, Performing New Media, 1890-1915, Bloomington : John Libbey & Company, Limited,c2014
Kollektion: E-Books adlr
Inhaltsangabe

This collection of essays considers the ways in which different visual practices carried out at the turn of the 20th century shaped performances on and beside the screen.

Intro
Cover
Half title
Title
Copyright
Contents
Introduction
Part I Performing on the Screen: Actors and Personalities
Chapter 1 Lois Weber at Rex: Performing Femininity Across Media
Chapter 2 Diva Intermedial: Lyda Borelli between Art, Photography, Theatre and Cinema
Chapter 3 Why Sue 'Little Mary?': How Independent Moving Pictures Company of America v Gladys Smith and Owen Moore (1911) Defined Celebrity and Professionalism for Film Actors
Chapter 4 Camera Distance and Acting in Griffith Biographs
Chapter 5 Performance Times: The Lightning Cartoon and the Emergence of Animation
Chapter 6 La transparence du Fregoligraph en question
Chapter 7 In the Flesh: Personal Appearances and the Picture Personality in Britain
Chapter 8 Performers - Now Synchronised on Screen
Part II Performing Beside the Screen: Narrators, Showmen, and Musicians
Chapter 9 Missing Believed Lost: The Film Narrator, Then and Now
Chapter 10 Standards of Practice in Transition: The Showmanship of Jasper Redfern as It Emerged
Chapter 11 Showmanship Skills and the Changing Role of the Exhibitor in 1910s Scotland
Chapter 12 Showing Film in Winter (1904-1906): Albert Frères' Film Galas in Dutch Multipurpose Buildings
Chapter 13 Performing New Media and the Creation of National Identity: Kräusslich and Köpke in Norway before 1910
Chapter 14 Music Programming and the Formation of Swedish Cinema Culture
Chapter 15 'Marvelous and Fascinating': L. Frank Baum's Fairylogue and Radio-Plays (1908)
Chapter 16 The Multiple-Media Lecture: Racing with Death in Antarctic Blizzards (1915)
Part III Performing with the Screen: Audiences, Educators and Officials
Chapter 17 Kinoreformbewegung Revisited: Performing the Cinematograph as a Pedagogical Tool.
Chapter 18 Health on Display: The Panama-Pacific International Exposition as Sanitary Venue
Chapter 19 Lyrical Education: Music and Colour in Early Nonfiction Film
Chapter 20 'Offensive and Riotous Behavious'? Performing the of Role of an Audience in Irish Cinema of the mid-1910s
Chapter 21 Tango Mad and Affected by Cinematographitis: Rhythmic 'Contagions' between Screens and Audiences in the 1910s
Part IV Intermedial Performance
Chapter 22 Screening Sensations and Live Performance: the Creative Blending of Traditional and New Projected Media at the Start of the Twentieth Century
Chapter 23 Le spectacle de lanterne magique considéré sous l'angle de la conférence : quelques traces écrites d'une performance orale
Chapter 24 Getting to Know the Dutch: Magic Lantern Slides as Traces of Intermedial Performance Practices
Chapter 25 20 Minutes or Less: Short-Form Film-and-Theatre Hybrids - Skits, Sketches, Playlets, &amp
Acts in Vaudeville, Variety, Revues, &amp
c.
Chapter 26 Between Karagöz and Cinema: Connectivity, Mobility, Collectivity, Collectivity
Chapter 27 Entre nouveauté et continuité : Le spectacle cinématographique serait-il une émergence des ombres françaises?
Chapter 28 'Performed live and talking. No Kinematograph.' Amateur Performances of Tableaux Vivants and Local Film Exhibition in Germany around 1900
Chapter 29 Performing Painting: Projected Images as Living Pictures
Chapter 30 Colour as Performance in Visual Music, Film Tinting and Digital Painting
Coda
Chapter 31 Early Cinema Today and its 'Digital Performance': The Re-discovery of The Soldier's Courtship (1896)
Editors and Contributors
Index of Films
Index of Names.