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| veröffentlicht: | Minneapolis : University of Minnesota Press, 2000. ©2000. |
| Medientyp: | Buch, E-Book |
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| Umfang: | 1 online resource (342 pages) |
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| ISBN: |
9780816652815
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| Ausgabe: | 1st ed. |
| Sprache: | Englisch |
| Schlagwörter: | |
| Print version:: |
Hawkins, Joan, Cutting Edge, Minneapolis : University of Minnesota Press,c2000
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| Kollektion: | E-Books adlr |
Joan Hawkins offers an original and provocative discussion of taste, trash aesthetics, and avant-garde culture of the 1960s and 1970s to reveal the subversiveness of the horror film as a genre. Full of unexpected insights, Cutting Edge calls for a rethinking of high/low distinctions-and a reassigning of labels at the video store. |
| Intro Contents Acknowledgments I. Paracinema Culture and Psychotronic Style 1. Sleaze-Mania, Euro-trash, and High Art: The Place of European Art Films in American Low Culture 2. Medium Cool: Video Culture, Video Aesthetics II. At the Crossroads 3. Art Houses and Horrorshows or, Pauline Kael Meets Georges Franju 4. The Scalpel's Edge: Georges Franju's Les yeux sans visage 5. The Anxiety of Influence: Georges Franju and the Medical Horrorshows of Jess Franco III. When Horror Meets the Avant-garde 6. Exploitation Meets Direct Cinema: Yoko Ono's Rape and the Trash Cinema of Michael and Roberta Findlay 7. From Horror to Avant-garde: Tod Browning's Freaks 8. Monsters in the Art World: Andy Warhol and Paul Morrissey Conclusion: Mainstreaming Trash Aesthetics Notes Bibliography Select Filmography and Videography Video Distributors Index A B C D E F G H I J K L M N O P R S T U V W X Y Z. |