| Beteiligte: | , , |
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| veröffentlicht: | Vancouver : UBC Press, 2002. ©2003. |
| Medientyp: | Buch, E-Book |
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| Umfang: | 1 online resource (509 pages) |
|---|---|
| ISBN: |
9780774850407
|
| Ausgabe: | 1st ed. |
| Sprache: | Englisch |
| Schlagwörter: | |
| Print version:: | Levitin, Jacqueline, Women Filmmakers, Vancouver : UBC Press,c2002 |
| Kollektion: | E-Books adlr |
| Intro Contents Illustrations Acknowledgments Women Filmmakers Introduction Refocusing: Talking about (and with) Women Filmmakers Part 1 Women Filmmakers: Refocusing History and Theory 1 Women, Film, Resistance: Changing Paradigms 2 Refocusing Authorship in Women's Filmmaking 3 Women Filmmakers and the Avant-Garde: From Dulac to Duras 4 Cinefeminism in Its Middle Ages, or "Please, Please, Please Give Me Back My Pleasure": The 1990s Work of Sally Potter, Chantal Akerman, and Yvonne Rainer Part 2 Close-up on the Life and Works of Auteures from Europe 5 Helma Sanders Brahms: An Introduction 6 Interview and Excerpts from a Master Class with Helma Sanders Brahms 7 The Personal and the Political: Interview with Margarethe von Trotta 8 Changing Identity: Margarethe von Trotta's The Second Awakening of Christa Klages 9 Agnieszka Holland: Continuity, the Self, and Artistic Vision 10 The Dancing Body: Sally Potter as a Feminist Auteure Part 3 Women in the Mainstream: Using Popular Genres in Europe 11 The Vanishing Healer in Doris Dörrie's Nobody Loves Me 12 Women Directors and Genre Films in France 13 Mainstreaming the Margins in France: Three Films au Féminin 14 Lina Wertmüller: The Grotesque in Seven Beauties Part 4 Focus on Conditions of Production: Training, Funding, Distribution 15 Agnieszka Holland, Barbara Sass, and Dorota Ke dzierzawska in the World of Male Polish Filmmaking 16 The Films of Helke Misselwitz: Reconstructing Gender and Identity in the Former GDR 17 "Cinéma des Copines" and an Interview with Patricia Plattner 18 Making Feature Films: Panel Discussion with Helma Sanders Brahms (Germany), Caroline Eades (France), Patricia Plattner (Switzerland), and Anne Wheeler (Canada). 19 Making Documentary Films: Panel Discussion with Nicole Giguère, Brenda Longfellow, Loretta Todd, and Aerlyn Weissman Part 5 Women's Films through a Postcolonial Lens 20 Beyond Tradition and Modernity: Representations of Identity in Two Kenyan Films 21 Shuhaimi Baba and the Malaysian New Wave: Negotiating the Recuperation of Malay Custom (Adat) 22 Representation of Women in the Films of María Luisa Bemberg 23 Temporality and Identity in Sara Gómez's Documentaries 24 Sprung from Sisterhood: Interview with Yue- Qing Yang on Making Nu Shu: A Hidden Language of Women in China Part 6 National and Cultural Montages: Crossing Boundaries 25 An Introduction to Deepa Mehta: Making Films in Canada and India 26 Excerpts from a Master Class with Deepa Mehta 27 The Post of Colonial in the Works of Pratibha Parmar: Kiss My Chuddies 28 Interview and Excerpts from a Master Class with Pratibha Parmar 29 Documentaries Made in India: Raman Mann and Patricia Plattner Part 7 Representations of and by Minority Women 30 Women of Maghrebi Origin in Recent Films from France 31 Katinka Heyns: Questioning Afrikaans Culture 32 Making Novia que te vea: Interview with Guita Schyfter 33 Beyond the Homeland: Latinø- Canadian Film and the Work of Marilú Mallet and Claudia Morgado Part 8 Revisioning Gender and Diversity in Canada 34 Women Filmmakers in Quebec 35 Querying/Queering Stereotypes: Interview with Carole Ducharme on Making Straight from the Suburbs 36 Shadow and Light: First Nations Women Filmmakers 37 Unsettling the West: First Nations Films in British Columbia 38 Leaving Gender Aside: The Legacy of Studio D? 39 The Gender of the Gaze in Cinematography: A Woman with a Movie Camera Selected Film Sources Select Bibliography Notes on Contributors About the Editors Index. |