Bibliographische Detailangaben
Beteiligte: Rosenbaum, Jonathan
veröffentlicht: Chicago : Chicago Review Press, 2002.
©2002.
Medientyp: Buch, E-Book

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weitere Informationen
Umfang: 1 online resource (242 pages)
ISBN: 9781556529924
Ausgabe: 1st ed.
Sprache: Englisch
Schlagwörter:
Print version:: Rosenbaum, Jonathan, Movie Wars, Chicago : Chicago Review Press,c2002
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Kollektion: E-Books adlr
Inhaltsangabe

Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever—we just can't see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times's coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back.

Front Cover
Table of Contents
Acknowledgments
Introduction: Is the Producer Always Right?
Chapter One: Is the Cinema Really Dead?
Chapter Two: Some Vagaries of Distribution and Exhibition
Chapter Three: Some Vagaries of Promotion and Criticism
Chapter Four: At War with Cultural Violence: The Critical Reception of Small Soldiers
Chapter Five: Communications Problems and Canons
Chapter Six: The AFI's Contribution to Movie Hell or, How I Learned to Stop Worrying and Love American Movies
Chapter Seven: Isolationism as a Control System
Chapter Eight: Multinational Pest Control: Does American Cinema Still Exist?
Chapter Nine: Trafficking in Movies: (Festival-Hopping in the Nineties)
Chapter Ten: Orson Welles as Ideological Challenge
Conclusion: The Audience Is Sometimes Right
Index.