Bibliographische Detailangaben
Beteiligte: Martin, Deborah, Shaw, Deborah
veröffentlicht: London : I. B. Tauris & Company, Limited, 2017.
©2017.
Teil von: World Cinema Series
Medientyp: Buch, E-Book

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weitere Informationen
Umfang: 1 online resource (290 pages)
ISBN: 9781786731722
Ausgabe: 1st ed.
Sprache: Englisch
Teil von: World Cinema Series
Schlagwörter:
Print version:: Martin, Deborah, Latin American Women Filmmakers, London : I. B. Tauris & Company, Limited,c2017
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Kollektion: E-Books adlr
Inhaltsangabe
Cover
Half-title
Endorsements
Series information
Title page
Title page
Table of contents
List of Illustrations
Notes on Contributors
Acknowledgements
Preface: Performing the Impossible in Plain Sight
Introduction
Notes
References
I Industrial Contexts
1 Beyond Difference: Female Participation in the Brazilian Film Revival of the 1990s
The Retomada and the rise of shared authorship
Beyond representation
Beyond difference
Note
References
2 Through Female Eyes: Reframing Peru on Screen
Introduction
Landmark women: the 'Llosa' effect
Cinema, nation, gender and conflict: Marianne Eyde
Memory and self-discovery: Rosario García-Montero
Conclusion
Notes
References
3 Parando la olla documental: Women and Contemporary Chilean Documentary Film
A diagnosis of the field: between precarious conditions and international success
Collaborative production strategies and the professionalisation of the field
Women's cinema? Themes and strategies in Chilean documentaries by women
Women filmmakers, family and political trauma
The expansion of the field: new themes and strategies
Conclusions
Notes
References
II Representations
4 Beyond the Spitfire: Re-visioning Latinas in Sylvia Morales' A Crushing Love (2009)
Twenty-first century foxes: Latinas on and behind the screen
Latinas, feminism and motherhood
Motherhood in Chicana/o films: from mamís to mamás
A Crushing Love: new visions of motherhood
A Crushing Love: Latina and Latin American activism on screen
Notes
References
5 Intimacy and Distance - Domestic Servants in Latin American Women's Cinema: La mujer sin cabeza ...
Domestic servants and maids in Latin America: a brief contextual overview
New politics in Latin American films featuring maids
The films.
La mujer sin cabeza
El niño pez
Notes
References
6 Women's Filmmaking and Comedy in Brazil: Anna Muylaert's Durval Discos (2002) and É proibido fumar (2009)
Introduction
Muylaert and Brazilian (women's) filmmaking
Comedy in context
What's funny?
Durval Discos: looking for meaning in domestic space
É proibido fumar: infantilised singletons and the romantic dark comedy
Concluding remarks
Notes
References
7 Young Women at the Margins: Discourses on Exclusion in Two Films by Solveig Hoogesteijn
Venezuelan cinema: formation of a national film industry
Solveig Hoogesteijn: the early works of a female auteur
Macu, la mujer del policía
Maroa, una niña de la calle
Conclusion: different contexts, different endings
Notes
References
III Key Agents
8 Re-framing Mexican Women's Filmmaking: The Case of Marcela Fernández Violante
De todos modos Juan te llamas (1975)
Misterio (1980)
Conclusion
Note
References
9 Bertha Navarro and the Remapping of Latin American Cinema: Markets, Aesthetics, Cultural Politics
Remappings
Marketing
Aesthetics and politics
Conclusion
Notes
References
10 Planeta ciénaga: Lucrecia Martel and Contemporary Argentine Women's Filmmaking
Notes
References
Index.