| Beteiligte: | , |
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| veröffentlicht: | Bloomington : Indiana University Press, 2017. ©2017. |
| Teil von: |
New Directions in National Cinemas Series
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| Medientyp: | Buch, E-Book |
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| Umfang: | 1 online resource (391 pages) |
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| ISBN: |
9780253026552
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| Ausgabe: | 1st ed. |
| Sprache: | Englisch |
| Teil von: |
New Directions in National Cinemas Series
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| Schlagwörter: | |
| Print version:: | Navitski, Rielle, Cosmopolitan Film Cultures in Latin America, 1896-1960, Bloomington : Indiana University Press,c2017 |
| Kollektion: | E-Books adlr |
In addition, primary historical documents provide vivid accounts of Latin American film critics, movie audiences, and film industry workers' experiences with moving images produced elsewhere, encounters that were deeply rooted in the local context, yet opened out onto global horizons. |
| Cover COSMOPOLITAN FILM CULTURES IN LATIN AMERICA, 1896-1960 Title Copyright Dedication CONTENTS ACKNOWLEDGMENTS Introduction Part I. The Silent Era: Between Global Capitalism and National Modernization Primary text: "The Lumière Cinematograph," El Monitor Republicano (Mexico City), August 16, 1896 1 Gabriel Veyre and Fernand Bon Bernard, Representatives of the Lumière Brothers in Mexico Primary text: Tic-Tac (Carlos Villafañe), "The Show on June 15th," Películas (Bogotá), June 1919 2 Films on Paper: Early Colombian Cinema Periodicals, 1916-1920 Primary text: Enrique Méndez Calzada, "The Lover of Rudolph Valentino," from And Christ Returned to Buenos Aires (1926) 3 Manipulation and Authenticity: The Unassimilable Valentino in 1920s Argentina Part II. The Interwar Period: Between Hollywood and the Avant-Garde Primary text: Felipe de Leiva, "Memoirs of an Extra," Cinelandia (Hollywood), November-December 1927 4 Mediating the "Conquering and Cosmopolitan Cinema": US Spanish-Language Film Magazines and Latin American Audiences, 1916-1948 Primary text: Octávio de Faria, "Russian Cinema and Brazilian Cinema," O Fan (Rio de Janeiro), October 1928 5 Parallel Modernities?: The First Reception of Soviet Cinema in Latin America Primary text: Guillermo de Torre, "The 'Cineclub' of Buenos Aires," La Gaceta Literaria (Madrid), April 1, 1930 6 A Gaze Turned Toward Europe: Modernity and Tradition in the Work of Horacio Coppola Part III. The Golden Age of Latin American Film Industries: Negotiating the Popular and the Cosmopolitan Primary text: John Alton, "Motion Picture Production in South America," International Photographer (Hollywood), May 1934 7 John Alton in Argentina, 1932-1939 / Nicolas Poppe. 8 The Golden Age Otherwise: Mexican Cinema and the Mediations of Capitalist Modernity in the 1940s and 1950s Primary text: Gabriel García Márquez, "The Mambo," El Heraldo (Barranquilla), January 12, 1951 9 Bad Neighbors: Pérez Prado, Cinema, and the Politics of Mambo Part IV. The Afterlives of Moving Images: Cinephilia and Cult Spectatorship Primary text: Thomas E. Sibert, "Fox Film de Cuba, S.A.'s Continuing Competition for Scholarships to Summer School at the Universidad de La Habana" (unpublished circular, June 1956) 10 Film Culture and Education in Republican Cuba: The Legacy of José Manuel Valdés-Rodríguez 11 The Secret History of Aztlán: Speculative Histories, Transnational Exploitation Film, and Unexpected Cultural Flows INDEX. |