| Beteiligte: | , , |
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| veröffentlicht: | New York : Bloomsbury Academic & Professional, 2018. ©2018. |
| Medientyp: | Buch, E-Book |
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| Umfang: | 1 online resource (288 pages) |
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| ISBN: |
9781501333255
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| Ausgabe: | 1st ed. |
| Sprache: | Englisch |
| Schlagwörter: | |
| Print version:: |
Aasman, Susan, Materializing Memories, New York : Bloomsbury Academic & Professional,c2018
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| Kollektion: | E-Books adlr |
| Cover Half-title Title Copyright Contents Acknowledgments Introduction Part I: Dispositifs 1. Amateur Technologies of Memory, Dispositifs, and Communication Spaces 2. Hybrid Histories: Historicizing the Home Movie Dispositif 3. The Emergence of Early Artists' Video in Europe and the USA and its Relationship to Broadcast TV 4. Materiality, Practices, Problematizations: What Kind of Dispositif Are Media? 5. How to Grasp Historical Media Dispositifs in Practice? Part II: Generations 6. Belated Screenings of Home Movies: Biographical Storytelling and Generational Referencing 7. The Social Construction of Generations in a Media Society: The Case of Postwar West Germany 8. "Generation Channel 36": Pirated VHS Tapes and Remembering the Polish People's Republic in the Age of P2P Networks 9. Becoming YouTube's Grandad: Media, Age, and Generation in a Virtual Community Part III: Amateurs 10. Amateurs: Naïve Artists or Everyday Experts? 11. Charting Changing Amateur Production Practices: Testimonials of Moviemaking Enthusiasts 12. Home Mode, Community Mode, Counter Mode: Three Functional Modalities for Coming to Terms with Amateur Media Practices 13. "Something More": The Analysis of Visual Gestalting in Amateur Films List of Contributors Bibliography Index. |