| Beteiligte: | , |
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| veröffentlicht: | London : Anthem Press, 2018. ©2018. |
| Medientyp: | Buch, E-Book |
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| Umfang: | 1 online resource (374 pages) |
|---|---|
| ISBN: |
9781783088249
|
| Ausgabe: | 1st ed. |
| Sprache: | Englisch |
| Schlagwörter: | |
| Print version:: | Vaughan, Hunter, The Anthem Handbook of Screen Theory, London : Anthem Press,c2018 |
| Kollektion: | E-Books adlr |
'The Anthem Handbook of Screen Theory' offers readers a unique survey of the new horizons of film and media theory, focusing on the applicability of screen theories and updating the field for new social, cultural and geopolitical contexts. |
| Cover Front Matter Half-title Title page Copyright information Table of contents List of figures Preface Acknowledgments Chapter Int-18 Introduction: Post- , Grand, Classical or "So-Called"... Notes References Part I What we are Chapter One The Brain's Labor: on Marxism and The Movies Capitalism's Phantasmagoria The Couch and the Screen To Look Is to Labor "Vacation from the Self" Notes Works Cited Chapter Two Racial Being, Affect and Media Cultures Spectatorship and Race Getting In to Get Out Notes Works Cited Chapter Three Thinking Sex, Doing Gender, Watching film Coda Notes Works Cited Chapter Four "Complicated Negotiations": Reception and Audience Studies into the Digital age Introduction Spectatorship Approaches Spectatorship and Identity Cognitive Approaches The Empirical Moviegoer: The Spectator as Ticket Buyer Audience Studies Toward a Synthesis: Reception Studies Reception Studies into the Digital Age Notes Works Cited Chapter Five World Cinema and its worlds Always Global Always Local Global Gomorrah Notes Works Cited Chapter Six Screen Theory Beyond the Human: Toward an Ecomaterialism of the Moving image Case Study 1: Baraka (1992) Case Study 2: Titanic (1997) Notes Works Cited Chapter Seven "We will Exchange your Likeness and Recreate you in What you will not... Cinema Studies and Process Philosophy A Note on "Western" and "Non-Western," Philosophy and Theory Arthur Jafa's Process-Relational Cinema Subjects? Objects? in a Relational Field Saccadic Flows Whitehead's Process Universe: Intensifying Atomistic Becomings Sadrā's Universe: Individuation in an Intensifying Flow Glissant's Relational Synthesis Individuation and Milieu. Creativity and the Great Refusal Notes Part II What Screen Culture is Chapter Eight Apparatus Theory, Plain and Simple Notes Chapter Nine Properties of Film Authorship A Resilient Notion Proto-Auteurism Politique des auteurs/Auteur Theory The Death of the Author and Auteur-Structuralism The Author, the Star and the Making of a Genre Film: Irma Vep (Olivier Assayas, 1996) New Directions: Authorship, Cinephilia and the Promise of Democratic Emancipation Works Cited Chapter Ten "Deepest Ecstasy" Meets Cinema's Social Subjects: Theorizing the Screen star The Star and the Power of the Filmic Image Sociology and the Collective Production of the Star Producing Stars and Spectators as Subjects Marlene Dietrich and the Projects of Film Theory The Future of Star Studies in Film Theory Notes Bibliography Chapter Eleven Rethinking Genre Memory: Hitchcock's Vertigo and its Revision Bibliography Filmography Chapter Twelve Digital Technologies and the End(S) of Film theory Media Archaeology Screen Theory Code Level Theory The Index Process-Oriented Approaches Conclusion: How We Write Notes Works Cited Chapter Thirteen How John the Baptist Kept His Head: My Life in Film Philosophy Works Cited Part III How we Understand Screen Texts Chapter Fourteen The Expressive Sign: Cinesemiotics, Enunciation and Screen Art Peirce's Taxonomy of Signs, Referential Hybridity and Cinesemiotic Creativity Connotation, Extra-Narrative Meaning and Artistic Invention Alternative Proto-Linguistic Approaches and Film Worlds Theory A "New" Pragmatics of Cinematic Enunciation, Style and Authorship Works Cited Chapter Fifteen Narratology in Motion: Causality, Puzzles and Narrative Twists Story Plot Film Style and Techniques Narrative Cognition Art Cinema. Puzzle Films Extending the Puzzle Film The Hollywood Puzzle Film: Ontological Pluralism and Cognitive Dissonance Notes References Chapter Sixteen He(U)Retical Film Theory: When Cognitivism Meets Theory From The Photoplay to Post-Theory and Beyond Heuretics and Film Neurocinematics Flicker: Your Brain on Movies Neuronal Activity and Thought He(u)retical Film Theory Notes References Chapter Seventeen Philosophy Encounters the Moving Image: From Film Philosophy to Cinematic Thinking Image, Movement, Time: Deleuze Movement is Distinct from the Space Covered Ancient versus Modern Conceptions of Movement Movement Expresses a Qualitative Change in the Whole Movement-Image Crisis of the Action-Image 'Two Ages' of Cinema? Viewing Worlds: Cavell Cinematic Mythmaking and the 'End of the Myths' 'Bold' Film-Philosophy (Mulhall) 'Moderate' Film-Philosophy (Wartenberg) Notes Bibliography Chapter Eighteen Screen Perception and Event: Beyond the Formalist/Realist divide Notes References Postface Notes End Matter Notes on Contributors Filmography Index. |