| Beteiligte: | , , , , , , , , , |
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| veröffentlicht: | Detroit : Wayne State University Press, 2018. ©2018. |
| Teil von: |
Contemporary Approaches to Film and Media Series
|
| Medientyp: | Buch, E-Book |
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| Umfang: | 1 online resource (433 pages) |
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| ISBN: |
9780814342947
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| Ausgabe: | 1st ed. |
| Sprache: | Englisch |
| Teil von: |
Contemporary Approaches to Film and Media Series
|
| Schlagwörter: | |
| Print version:: |
Gerhardt, Christina, 1968 and Global Cinema, Detroit : Wayne State University Press,c2018
Mehr ... |
| Kollektion: | E-Books adlr |
Examines the political cinema of 1968 in relation to global events. |
| Cover Title Page Copyright Contents Acknowledgments Introduction. Looking Back: Global Cinema and the Legacy of New Waves around 1968 I. The Long Sixties: Cinematic New Waves 1. The "Long 1968" and Radical Film Aesthetics 2. "What Am I Doing in the Middle of the Revolution?": Ennio Morricone and The Battle of Algiers 3. Before the Revolution: The Radical Anxiety of Paulo Rocha's Cinema 4. The Czechoslovak New Wave Revisited 5. Internationalism and the Early Student Films of the German Film and Television Academy Berlin (dffb) 6. The Hour of the Furnaces: A Film "Happening" 7. Toward a New Mode of Study: The New Student Left and the Occupation of Cinema in Columbia Revolt and The Battlefront for the Liberation of Japan-Summer in Sanrizuka 8. Oshima, Korea, and 1968: Death by Hanging and Three Resurrected Drunkards 9. The Hypothetical and the Experimental: Reading Lindsay Anderson's If . . . Alongside Pier Paolo Pasolini's Teorema 10. Obscurity, Anthologized: Non-Relation and Enjoyment in Love and Anger (1969) II. Aftershocks 11. Re-presenting the "Just Image": Godard-Gorin's Vent d'est and the Radical Thwartedness of Maoist Solidarity after May 1968 12. Medium UnCool: Women Shoot Back Feminism, Film, and 1968-A Curious Documentary 13. Third Cinema in the First World: L.A. Rebellion and the Aesthetics of Confrontation 14. The Politics of (In)Action: Humanism, Violence, and Revolution in Satyajit Ray's Pratidwandi/The Adversary 15. Maysles Films: Some Paradoxes of Direct Cinema in the 1960s and 1970s 16. The Rhetoric of Parapraxis: The 1967 Riots and Hong Kong Film Theory 17. Cultural Revolution Models on Film: The Third World Politics of Self-Reflexivity in On the Docks (1972). 18. Workers Interrupting the Factory: Helena Lumbreras's Militant Factory Films between Italy and Spain (1968-78) 19. Political Cinema, Revolution, and Failure: The Iranian New Wave, 1962-79 List of Contributors Index. |