<jats:p>Roy Williams is one of the outstanding new voices in contemporary British theatre. Born in Fulham, south-west London, in 1968, he has already, by his mid-thirties, won a shelf-full of awards, with plays staged at the National Theatre and Royal Court. His debut, <jats:italic>The No Boys Cricket Club</jats:italic>, won the Writers' Guild New Writer of the Year award in 1996. Two years later, his follow-up, <jats:italic>Starstruck</jats:italic>, won three major awards: the John Whiting Award for Best New Play, an EMMA (Ethnic Multicultural Media Awards) for Best Play, and the first Alfred Fagon Award, for theatre in English by writers with Caribbean connections. In 2000, <jats:italic>Lift Off</jats:italic> was joint winner of the George Devine Award, and in 2001 <jats:italic>Clubland</jats:italic> received the <jats:italic>Evening Standard Award</jats:italic> for Most Promising Playwright. In 2002, Williams received a best school drama BAFTA (British Academy of Film and Television Arts) for <jats:italic>Offside</jats:italic> (BBC), and in 2004 he won the first Arts Council Decibel Award, given to black or Asian artists in recognition of their contribution to the arts. His most recent play, <jats:italic>Little Sweet Thing</jats:italic>, was a 2005 co-production between Ipswich’s New Wolsey Theatre, Nottingham Playhouse, and Birmingham Rep. What follows is an edited transcript of Aleks Sierz’s ‘In Conversation with Roy Williams’, part of the ‘Other Voices’ symposium at Rose Bruford College, Sidcup, Kent, in May 2004, organized by Nesta Jones. Williams is a graduate and now a Fellow of the college.</jats:p>