Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions

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Bibliographische Detailangaben
Beteiligte: Solis, Gabriel
In: Daedalus, 148, 2019, 2, S. 23-35
veröffentlicht:
MIT Press - Journals
Medientyp: Artikel, E-Artikel

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Umfang: 23-35
ISSN: 0011-5266
1548-6192
DOI: 10.1162/daed_a_01740
veröffentlicht in: Daedalus
Sprache: Englisch
Schlagwörter:
Kollektion: MIT Press - Journals (CrossRef)
Inhaltsangabe

<jats:p> The rise of jazz-R&amp;B-hip hop fusions in contemporary Los Angeles offers an opportunity to reflect on the ways jazz matters to black audiences today. Drawing on recent Afrofuturist art and theory as well as on Amiri Baraka's analysis of the “changing same” in black music, this essay traces out the significance of work by artists as diverse as Kamasi Washington, Flying Lotus, Thundercat, and Robert Glasper, positing that their music tells us that jazz matters not only in itself, but also in its continuing capacity to engage in cross-genre dialogues for musicians and audiences who hear it as part of a rich continuum of African American musical expression. </jats:p>