Beteiligte: | , |
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In: | Convergence: The International Journal of Research into New Media Technologies, 21, 2015, 4, S. 496-508 |
veröffentlicht: |
SAGE Publications
|
Medientyp: | Artikel, E-Artikel |
Umfang: | 496-508 |
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ISSN: |
1748-7382
1354-8565 |
DOI: | 10.1177/1354856514527191 |
veröffentlicht in: | Convergence: The International Journal of Research into New Media Technologies |
Sprache: | Englisch |
Schlagwörter: | |
Kollektion: | SAGE Publications (CrossRef) |
<jats:p> The Walkman and iPod have often been viewed as individualizing technologies. People use these forms of mobile media to impart a sound track of their own choosing over their experience of physical space. However, newer mobile projects have examined the links that tie mobile media and sound to experiences of movement. These projects focus on the collaborative construction of shared soundscapes through mobile media, in a sense responding to the individualizing tendencies of dominant auditory mobile media. This article draws from literature in sound studies, media studies, and locative media art to examine these relatively new forms of what we call social soundscaping. Through our analysis, we show the potential for new mobile sound practices that allow for the more participatory production of public soundscapes. </jats:p> |