In: | Camera Obscura: Feminism, Culture, and Media Studies, 31, 2016, 1, S. 1-2 |
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veröffentlicht: |
Duke University Press
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Medientyp: | Artikel, E-Artikel |
Umfang: | 1-2 |
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ISSN: |
0270-5346
1529-1510 |
DOI: | 10.1215/02705346-3454408 |
veröffentlicht in: | Camera Obscura: Feminism, Culture, and Media Studies |
Sprache: | Englisch |
Schlagwörter: | |
Kollektion: | Duke University Press (CrossRef) |
<jats:p>In honor of the journal's fortieth anniversary, this special issue of Camera Obscura considers theories and practices of collectivity. Camera Obscura has operated through a feminist editorial collective since its beginnings in the 1970s, a time when many forms of cooperative action proliferated. In the last ten to fifteen years, a new constellation of collectives, many international, has emerged in response to new social, economic, and technological conditions. This issue explores the potentials and challenges of collectivity through pieces—both full-length analyses and short-form reflections—that address such topics as collaboration in photography, cinema, and video; utopias and dystopias; history and memory; modes of singleness and of togetherness; technology, embodiment, and intimacy; and feminist and queer collective practices in media and activism in various times and places.</jats:p> |