<jats:p>This article aims to address the largely negative critical response to Steven R. Monroe’s remake of I Spit On Your Grave (2010), by both considering its themes in comparison to Meir Zarchi’s 1978 original film, and positioning the new version within its own generic context. Using examples from feminist film theory that analyses Zarchi’s film, I suggest that Monroe’s version not only interprets, but actively enhances the perceived feminist message of the original, and consider how role reversal during the revenge section of the film contributes to this. I also outline the way in which Monroe’s film can be understood as representative of recent trends in the horror genre – most notably, its inclusion of explicit, gory violence and themes of retribution. Ultimately, the portrayal of the remake’s female protagonist as less sexualized and arguably more monstrous than the original character works in conjunction with other changes and a torture porn aesthetic in order to position the film clearly within the context of contemporary horror cinema.</jats:p>