Beteiligte: | |
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In: | Soundtrack, The, 3, 2010, 1, S. 25-31 |
veröffentlicht: |
Intellect
|
Medientyp: | Artikel, E-Artikel |
Umfang: | 25-31 |
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ISSN: |
1751-4207
1751-4193 |
DOI: | 10.1386/st.3.1.25_1 |
veröffentlicht in: | Soundtrack, The |
Sprache: | Englisch |
Schlagwörter: | |
Kollektion: | Intellect (CrossRef) |
<jats:p>Although Alfred Hitchcock's 1929 film <jats:italic>Blackmail</jats:italic> was released in both sound and silent versions, it is the sound version that is most familiar to modern audiences. Composer Neil Brand was commissioned to provide a score for the silent version and in this essay he reflects on the problems and the pleasures of creating a score that can reach modern audiences and enhance the intensity and the ambiguity of Hitchcock's masterpiece.</jats:p> |