Bibliographische Detailangaben
Beteiligte: Brand, Neil
In: Soundtrack, The, 3, 2010, 1, S. 25-31
veröffentlicht:
Intellect
Medientyp: Artikel, E-Artikel

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weitere Informationen
Umfang: 25-31
ISSN: 1751-4207
1751-4193
DOI: 10.1386/st.3.1.25_1
veröffentlicht in: Soundtrack, The
Sprache: Englisch
Schlagwörter:
Kollektion: Intellect (CrossRef)
Inhaltsangabe

<jats:p>Although Alfred Hitchcock's 1929 film <jats:italic>Blackmail</jats:italic> was released in both sound and silent versions, it is the sound version that is most familiar to modern audiences. Composer Neil Brand was commissioned to provide a score for the silent version and in this essay he reflects on the problems and the pleasures of creating a score that can reach modern audiences and enhance the intensity and the ambiguity of Hitchcock's masterpiece.</jats:p>