Bibliographische Detailangaben
Beteiligte: Wilson, Richard
In: Authorship, 3, 2014, 1
veröffentlicht:
Ghent University
Medientyp: Artikel, E-Artikel

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weitere Informationen
ISSN: 2034-4643
DOI: 10.21825/aj.v3i1.1067
veröffentlicht in: Authorship
Sprache: Unbestimmt
Schlagwörter:
Kollektion: Ghent University (CrossRef)
Inhaltsangabe

<jats:p>"The Picture of Nobody" posits that Shakespeare's birth as an author in print was “aborted” by strategies of absence that avoided institutionalized forms of authorial representation. Wilson argues that these possibly deliberate acts of evasion and self-concealment are linked to early modern problems of social class and to Shakespeare's ambition to become "a subject without an identity".</jats:p>