Bibliographische Detailangaben
Beteiligte: Charland, Maurice
In: Canadian Journal of Communication, 41, 2016, 3, S. 443-454
veröffentlicht:
University of Toronto Press Inc. (UTPress)
Medientyp: Artikel, E-Artikel

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weitere Informationen
Umfang: 443-454
ISSN: 0705-3657
1499-6642
DOI: 10.22230/cjc.2016v41n3a3173
veröffentlicht in: Canadian Journal of Communication
Sprache: Englisch
Schlagwörter:
Kollektion: University of Toronto Press Inc. (UTPress) (CrossRef)
Inhaltsangabe

<jats:p> Jazz rhetoric can mean two things. The first is the discourse about jazz, its significance and its meaning. The second is the music itself as an unfolding form performed to an audience. Both have constitutive political effects that function through pathos prior to a distinction between subject and object. This pathos arises through in-betweenness or interality, and can be described in terms of the middle voice, Dasein, and aesthetic experience. This article develops these concepts through a discussion of the jazz rhetorics of Wynton Marsalis and Amiri Baraka. </jats:p>