Bibliographische Detailangaben
Beteiligte: Barnett, Nick
In: Journal of British Cinema and Television, 15, 2018, 3, S. 436-452
veröffentlicht:
Edinburgh University Press
Medientyp: Artikel, E-Artikel

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Umfang: 436-452
ISSN: 1743-4521
1755-1714
DOI: 10.3366/jbctv.2018.0431
veröffentlicht in: Journal of British Cinema and Television
Sprache: Englisch
Schlagwörter:
Kollektion: Edinburgh University Press (CrossRef)
Inhaltsangabe

<jats:p> This article explores how nostalgia for both the Cold War and the 1970s in general became a key feature of the BBC drama The Game (2014). It argues that the serial situated the Cold War as a more stable era in international relations in which the enemy played by a specific set of rules, thus leading to a danger that was manageable and more predictable than the terror threat of the twenty-first century. Furthermore, the article argues that the serial presents the 1970s as a golden age which was defined by the continuity of consensus politics and communities of class and family. Finally, the article examines how this nostalgia is reinforced by narrative devices which engage with generic features such as the storyline playing out like a game. However, in the re-imagined Cold War of the twenty-first century, the traditional chess trope has been replaced by the more complex game of Alice Chess. </jats:p>