Bibliographische Detailangaben
Beteiligte: Bright, Robin Aaron
In: CINEJ Cinema Journal, 6, 2017, 1, S. 71-83
veröffentlicht:
University Library System, University of Pittsburgh
Medientyp: Artikel, E-Artikel

Nicht angemeldet

weitere Informationen
Umfang: 71-83
ISSN: 2158-8724
DOI: 10.5195/cinej.2017.151
veröffentlicht in: CINEJ Cinema Journal
Sprache: Unbestimmt
Schlagwörter:
Kollektion: University Library System, University of Pittsburgh (CrossRef)
Inhaltsangabe

<jats:p>Goddesses, like Norse Hel, signify love for women, and between women, because `woman`s seed` is the `seed` of Eve represented by Jesus, who was tortured to death by the Romans as a `dissident` Jewish rabbi nailed to a cross of wood on the hill of Calvary outside the city of Jerusalem in occupied Palestine and left there until he died. Jesus` Resurrection and Ascension to heaven thereafter prefigured that of `woman`s seed`, which is why his mother, the Virgin Mary, approaches to the role of goddess in Christianity, because women who`re loved appear to be worshipped as goddesses by those who don`t love women. So God specifically punishes Eve and Adam for accepting that they`ll be `as gods`, because Eve is Adam`s `goddess`, who he`s to love in order to be redeemed through `woman`s seed`, and the birth of human brainpower to liberate the species from host womb slavery in parasitism, which wants ephemerality for humans in order to keep them as slaves without labor saving technologies conferring freedom.</jats:p>