| Beteiligte: | |
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| In: | Analele Universităţii Spiru Haret. Seria Jurnalism [Annals of Spiru Haret University. Journalism Studies], 18, 2017, 1, S. 56-67 |
| veröffentlicht: |
Editura Fundaţiei România de Mâine
România de Mâine Publishing House |
| Medientyp: | Artikel, E-Artikel |
| ISSN: |
1454-9492
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| veröffentlicht in: | Analele Universităţii Spiru Haret. Seria Jurnalism [Annals of Spiru Haret University. Journalism Studies] |
| Sprache: | Englisch |
| Schlagwörter: | |
| Kollektion: | CEEOL Central and Eastern European Online Library sid-53-col-ceeol |
This article reviews Bailey and Girgus (2013) and supplements it with theoretically based empirical research. In the present paper, I focus on the philosophical substance of Allen’s films, his employment of framing devices and films-within-films, his romantic links with popular culture, and his utilization of various aesthetic forms. The mainstay of the paper is formed by an analysis of Allen’s development of the cinematic narrative, his self-conscious formulation of his own auteur distinctiveness, the depressing tonalities in his films, and the fixation on death in his work. |