Język filmu a artefakty i budowle archeologiczne [Movies language a artifacts and archaeological bui...

Gespeichert in:

Bibliographische Detailangaben
Titel: Język filmu a artefakty i budowle archeologiczne [Movies language a artifacts and archaeological buildings];
Beteiligte: Kamińska, Hanna
In: Biuletyn Edukacji Medialnej [Media Education Bulletin], 2017, 2, S. 106-124
veröffentlicht:
Norbertinum
Medientyp: Artikel, E-Artikel

Get it

Diese Ressource ist frei verfügbar.
weitere Informationen
ISSN: 1733-0297

veröffentlicht in: Biuletyn Edukacji Medialnej [Media Education Bulletin]
Sprache: Polnisch
Schlagwörter:
Kollektion: CEEOL Central and Eastern European Online Library
sid-53-col-ceeol
Inhaltsangabe

Cinema began to use its own language in order to separate itself from other fields of art, sometimes understood in a very general way. The language of movies is the expression of those means, of expression that are characteristic of cinematographic art. Among them is assembly, lighting, the way of filming, colors, costumes, as well as decorations The language of the film uses both decorations and props, responsible for introducing the viewer to the world of film, organizing the film space to match the content of the film and are responsible for building emotions and mood. It also allows you to locate shares in the time it applies to.That's why decoration and props can be based / use artifacts and archaeological buildings. An example of this is the monuments of ancient culture found (by archaeologists) in Cyprus and in Jordan. These monuments include culture and religion: Greek, Roman and first-century Christianity on the island. Like, also those from the Islamic culture, found in Jordan. Decorations or props affect the construction of the set design. Filling the relationship between the scene and the viewer based on non-verbal means, they define the environment, build the mood, and symbolize certain situations, in this case, historical situations. In addition, they are an element of the action; characterize the hero along with the mood, moving it to the viewer.