Beteiligte: | |
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In: | Film History: An International Journal, 24, 2012, 2, S. 210-220 |
veröffentlicht: |
Indiana University Press
|
Medientyp: | Artikel, E-Artikel |
Umfang: | 210-220 |
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ISSN: |
0892-2160
1553-3905 |
DOI: | 10.2979/filmhistory.24.2.210 |
veröffentlicht in: | Film History: An International Journal |
Sprache: | Englisch |
Kollektion: | sid-55-col-jstorfilm sid-55-col-jstoras5 JSTOR Film and Performing Arts JSTOR Arts & Sciences V Archive |
<label>Abstract</label> <p>The soaring movement of the flight scene is a signature effect of the current 3D cycle, with a number of recent films centering on birds or dragon-like creatures. Simulated flight has long been used to display the latest in cinematic spectacle. Analysis of the use of flight in<italic>Wings</italic>(1927),<italic>Avatar</italic>(2009) and<italic>How to Train Your Dragon</italic>(2010) demonstrates how film producers have employed tried and true schemata to make the attractional power of flight serve a narrative master.</p> |