| Beteiligte: | |
|---|---|
| In: | Film History: An International Journal, 25, 2013, 1-2, S. 95-109 |
| veröffentlicht: |
Indiana University Press
|
| Medientyp: | Artikel, E-Artikel |
| Umfang: | 95-109 |
|---|---|
| ISSN: |
1553-3905
0892-2160 |
| DOI: | 10.2979/filmhistory.25.1-2.95 |
| veröffentlicht in: | Film History: An International Journal |
| Sprache: | Englisch |
| Kollektion: | sid-55-col-jstorfilm sid-55-col-jstoras5 JSTOR Film and Performing Arts JSTOR Arts & Sciences V Archive |
<label>ABSTRACT</label> <p>This essay explores historical, textual, and discursive questions surrounding the overlooked expedition film. Using Carl Lumholtz's 1920 expedition film<italic>Borneo: In the Land of the Head-Hunters</italic>as a case study, issues of authorship, sponsorship, stylistic tropes (such as the long take), as well as the expedition film's conventionalization in the 1920s, are taken up and discussed.</p> |