Bibliographische Detailangaben
Beteiligte: Stewart, Garrett (VerfasserIn)
Verfasserangabe: Garrett Stewart
veröffentlicht:
Chicago [u.a.] Univ. of Chicago Press 2007
Teil von: Cinema and modernity
Medientyp: Buch, E-Book

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Beschreibung: Includes bibliographical references and index
Umfang: X, 299 S.; Ill
ISBN: 0226774155
9780226774152
0226774163
9780226774169
Sprache: Englisch
Teil von: Cinema and modernity
Schlagwörter:
Kollektion: UdK Berlin
Verbundkatalog Film
Inhaltsangabe

"Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema's 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip. Brilliantly interpreting dozens of recent films - from Being John Malkovich, Donnie Darko, and The Sixth Sense to La mala educación and Cache - Stewart investigates how their treatments of time reflect the change in media from film's original rolling reel to today's digital pixel." -- Publisher's description.