Bibliographische Detailangaben
Beteiligte: Killmeier, Matthew (VerfasserIn), Christiansen, Paul
veröffentlicht: Aarhus 2011
Teil von: , Erschienen in: MedieKultur, volume 27 / 2011, number 50, pp. 160 - 180. [ISSN: 1901-9726]
Medientyp: Artikel, E-Artikel

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Beschreibung: freier Zugang
Umfang: 21 p.
Sprache: Englisch
Teil von: , Erschienen in: MedieKultur, volume 27 / 2011, number 50, pp. 160 - 180. [ISSN: 1901-9726]
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Kollektion: Datenbank Internetquellen
Inhaltsangabe

"Many journalists and scholars overlook the discursive role of music in TV political advertisements. But we argue that music is a potent means of political persuasion. Music in advertisements is determinative; all other elements — images, voiceovers, sound effects, written text, and so on — are circumscribed by the music and interpreted in relation to it. Music determines an advertisement’s character through framing and underscoring; musical frames establish interpretative categories and generate expectations, while underscoring comprises music that closely coordinates with images and voiceovers to form a persuasive aesthetic and rhetorical unity. A close reading of a 2004 Bush-Cheney advertisement applies this theory of frames and underscoring to explain the advertisement’s effectiveness. Without music, the advertisement would not only fail to persuade, it would also make no sense." [Information des Anbieters]

Music in advertising; Music is determinative; Framing; Underscoring; "Wolves"; Beginning; Middle; Ending; The Coda; Voiceover; Conclusions