Beteiligte: | , |
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veröffentlicht: |
2012-08-06
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Teil von: |
, Erschienen in: First Monday, volume 17/2012 number 8, (ISSN 1396-0466; 1396-0458)
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Medientyp: | Artikel, E-Artikel |
Beschreibung: | freier Zugang |
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Sprache: | Englisch |
Teil von: |
, Erschienen in: First Monday, volume 17/2012 number 8, (ISSN 1396-0466; 1396-0458)
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Schlagwörter: | |
Kollektion: | Datenbank Internetquellen |
"This essay examines how remixes that combine human rights footage with popular songs complicate our understanding of the relationship between media production and civic participation. We argue that editing and compositing complicates establishing the authenticity of source material and that rapid dissemination of digital files through distributed networks may compromise the agency of victims. Furthermore, we raise questions about how so–called “conflict porn” that depicts graphic violence is received by Internet audiences. We offer a number of basic ethical principles for remixers of citizen journalism to consider in the post–Arab Spring milieu." [Information des Anbieters] |
Introduction; remixer, curators, and spoilers; privacy, consent, and other ethical principles; providing historical framing for representations of political violence; the agency of victims and survivors; calls to action; corporate actors; righteous remixes |