Crossing Boundaries in Graphic Narrative
Essays on Forms, Series and Genres

Cover; Table of Contents; Introduction; Part I: Ways of Reading; 1. Michael Chabon's Amazing Adventures with Dark Horse Comics; 2. The Comic Modernism of George Herriman; 3. Fantastic Alterities and The Sandman; 4. Thirty-Two Floors of Disruption; Part II: Reading Ethnicity; 5. Picturing Books; 6. Iconoclastic Readings and Self-Reflexive Rebellions in Marjane Satrapi's Persepolis and Persepolis 2; 7. Drawing the Trauma of Race; 8. Mezclando (Mixing) the "Facts" and the Power of the Image in Latino USA; Part III: Reading the Hero; 9. "3X2(9YZ)4A"; 10. My Wonder Woman; 11. Paneling Rage

About the ContributorsIndex

Although the idea that graphic narratives represent an important literary form is still debated in academic circles, in recent years comics scholarship has emerged into wider contexts. This collection of new essays considers various literary approaches to graphic narrative and sequential art. The authors examine the politics of comic form and narrative, the ways in which graphic narrative and sequential art "cross over" into other forms and genres, and how these articulations challenge the ways we read and interpret texts. By bringing literary theory to bear on graphic narrative and balancing readings of individual texts with larger ideas about comics scholarship as a whole, this work expands our understanding of the form itself and its engagement with political culture