| Beteiligte: | , |
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| veröffentlicht: | Malden, Mass. [u.a.] Blackwell c 2002 |
| Teil von: |
Blackwell readers in anthropology ; 2
|
| Medientyp: | Buch, E-Book |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke Includes bibliographical references and index |
|---|---|
| Umfang: | XI, 416 S.; Ill., graph. Darst; 23cm |
| Notiz: | The medium is the message Themedium is the message The technology and the society On the use of the camera in anthropology The ambiguity of the photograph Save, save the lore The gaze of western humanism The color of sex: postwar photographic histories of race and gender The imperial imaginary Complicities of style Hollywood and the USA Yoruba photography: how the Yoruba see themselves Relationships Mediating culture: indigenous media, ethnographic film, and the production of identity Radio texture: between self and others The Tongan tradition of going to the movies Rambo's wife saves the day: subjugating the gaze and subverting the narrative in a Papua New Guinean swamp "It's destroying a whole generation": television and moral discourse in Belize National texts and gendered lives: an ethnography of television viewers in a north Indian city Image-based culture: advertising and popular culture The global and the local in international communications Media and cultural politics in Nicaragua, 1920-1956 The objects of soap opera: Egyptian television and the cultural politics of modernity Thetechnology and the society On the use of the camera in anthropology Theambiguity of the photograph Save, save the lore Thegaze of western humanism Thecolor of sex: postwar photographic histories of race and gender Theimperial imaginary Complicities of style Hollywood and the USA Yoruba photography: how the Yoruba see themselves Relationships Mediating culture: indigenous media, ethnographic film, and the production of identity Radio texture: between self and others TheTongan tradition of going to the movies Rambo's wife saves the day: subjugating the gaze and subverting the narrative in a Papua New Guinean swamp "It's destroying a whole generation": television and moral discourse in Belize National texts and gendered lives: an ethnography of television viewers in a north Indian city Image-based culture: advertising and popular culture Theglobal and the local in international communications Media and cultural politics in Nicaragua, 1920-1956 Theobjects of soap opera: Egyptian television and the cultural politics of modernity |
| ISBN: |
0631220933
0631220941 9780631220930 9780631220947 |
| Sprache: | Englisch |
| Teil von: |
Blackwell readers in anthropology ; 2
|
| Schlagwörter: | |
| Kollektion: | Verbunddaten SWB |
| The medium is the message \ Marshall McLuhan Themedium is the message \ Marshall McLuhan The technology and the society \ Raymond Williams On the use of the camera in anthropology \ Margaret Mead and Gregory Bateson The ambiguity of the photograph \ John Berger Save, save the lore \ Erika Brady The gaze of western humanism \ James C. Faris The color of sex: postwar photographic histories of race and gender \ Catherine A. Lutz and Jane L. Collins The imperial imaginary \ Ella Shohat and Robert Stam Complicities of style \ David MacDougall Hollywood and the USA \ Hortense Powdermaker Yoruba photography: how the Yoruba see themselves \ Stephen F. Sprague Relationships \ Daniel Miller and Don Slater Mediating culture: indigenous media, ethnographic film, and the production of identity \ Faye Ginsburg Radio texture: between self and others \ Jo Tacchi The Tongan tradition of going to the movies \ Elizabeth Hahn Rambo's wife saves the day: subjugating the gaze and subverting the narrative in a Papua New Guinean swamp \ Don Kulick and Margaret Willson "It's destroying a whole generation": television and moral discourse in Belize \ Richard R. Wilk National texts and gendered lives: an ethnography of television viewers in a north Indian city \ Purnima Mankekar Image-based culture: advertising and popular culture \ Sut Jhally The global and the local in international communications \ Annabelle Sreberny-Mohammadi Media and cultural politics in Nicaragua, 1920-1956 \ David E. Whisnant The objects of soap opera: Egyptian television and the cultural politics of modernity \ Lila Abu-Lughod. Thetechnology and the society \ Raymond Williams On the use of the camera in anthropology \ Margaret Mead and Gregory Bateson Theambiguity of the photograph \ John Berger Save, save the lore \ Erika Brady Thegaze of western humanism \ James C. Faris Thecolor of sex: postwar photographic histories of race and gender \ Catherine A. Lutz and Jane L. Collins Theimperial imaginary \ Ella Shohat and Robert Stam Complicities of style \ David MacDougall Hollywood and the USA \ Hortense Powdermaker Yoruba photography: how the Yoruba see themselves \ Stephen F. Sprague Relationships \ Daniel Miller and Don Slater Mediating culture: indigenous media, ethnographic film, and the production of identity \ Faye Ginsburg Radio texture: between self and others \ Jo Tacchi TheTongan tradition of going to the movies \ Elizabeth Hahn Rambo's wife saves the day: subjugating the gaze and subverting the narrative in a Papua New Guinean swamp \ Don Kulick and Margaret Willson "It's destroying a whole generation": television and moral discourse in Belize \ Richard R. Wilk National texts and gendered lives: an ethnography of television viewers in a north Indian city \ Purnima Mankekar Image-based culture: advertising and popular culture \ Sut Jhally Theglobal and the local in international communications \ Annabelle Sreberny-Mohammadi Media and cultural politics in Nicaragua, 1920-1956 \ David E. Whisnant Theobjects of soap opera: Egyptian television and the cultural politics of modernity \ Lila Abu-Lughod. |