Beteiligte: | , |
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veröffentlicht: | Manchester University Press 2019 |
Medientyp: | Buch, E-Book |
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Umfang: | 288; HC gerader Rücken kaschiert; 161 x 240 x 20 |
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ISBN: |
9781526100870
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Kollektion: | PDA Print VUB |
Introduction: British art cinema: creativity, experimentation and innovation - Paul Newland and Brian Hoyle 1 'Art cinema', 1920s British film culture: Alfred Hitchcock and Anthony Asquith - Tom Ryall 2 Humphrey Jennings: of images, poetry and Pandaemonium - Owen Evans 3 Out of the war, on with the arts: cultural politics and art films in post-war Britain - Katerina Loukopoulou 4 Attitudes towards experiment in British cinema: the amateur art films of Enrico Cocozza - Ryan Shand 5 Art cinema, British production and the 1960s - Duncan Petrie 6 Happy accident: the symbiosis of Joseph Losey and Harold Pinter - Peter Jameson 7 The parameters of British art cinema: a case study of John Krish - Robert Shail 8 The reputation of Nicolas Roeg - Paul Newland 9 'As the first black face on the scene, I had to push the doors open': Horace Ové and Pressure (1975) - Sally Shaw 10 Art cinema and the British poetic realist tradition - David Forrest 11 The third avant garde: Black Audio Film Collective and Latin America - Paul Elliott 12 The rise of British art cinema in the 1980s - John Hill 13 Derek Jarman, trance films and medieval art cinema - Jo George 14 Twin traditions: the biopic and the composed film in British art cinema - Brian Hoyle 15 Don Boyd and the business of art cinema - Phil Wickham 16 Shakespearean film as art cinema: Stage Beauty as a cerebral retort to Hollywood - Sarah Martindale 17 Boundary crossings and inter-subjective imaginings: Sarah Turner's Perestroika - Kim Knowles Index |