| Authors and Corporations: | |
|---|---|
| published: | Manchester University Press 2019 |
| Media Type: | Book, E-Book |
| Physical Description: | 224; Paperback; 156 x 234 x 12 |
|---|---|
| ISBN: |
9781526119865
|
| Collection: | PDA Print VUB |
| Introduction: approaching British rural landscapes on film - Paul Newland 1 Silent landscapes: rural settings, national identity and British silent cinema - Andrew Higson 2 British landscapes in pre-Second World War film publicity - Paul Moody 3 Rural imagery in Second World War British cinema - Tom Ryall 4 'An unlimited field for experiment': Britain's stereoscopic landscapes - Keith M. Johnston 5 The figure (and disfigurement) in the landscape: The Go-Between's picturesque - Mark Broughton 6 'Here is Wales, there England': contested borders and blurred boundaries in On the Black Hill - Kate Woodward 7 Where the land meets the sea: liminality, identity and rural landscape in contemporary Scottish cinema - Duncan Petrie 8 Fantasy, fallacy and allusion: reconceptualising British landscapes through the lens of children's cinema - Suzanne Speidel 9 Picturesque, pastoral and dirty: uncivilised topographies in Jane Eyre and Wuthering Heights - Stella Hockenhull 10 Folk horror and the contemporary cult of British rural landscape: the case of Blood on Satan's Claw - Paul Newland 11 sleep furiously: interview with Gideon Koppel - Paul Newland 12 Film and the repossession of rural space: interview with Patrick Keiller - Paul Newland Index |