| Beteiligte: | |
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| veröffentlicht: | Cambridge : Cambridge University Press, 2004. ©2004. |
| Teil von: |
Cambridge Studies in Film Series
|
| Medientyp: | Buch, E-Book |
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| Umfang: | 1 online resource (319 pages) |
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| ISBN: |
9780511211638
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| Ausgabe: | 1st ed. |
| Sprache: | Englisch |
| Teil von: |
Cambridge Studies in Film Series
|
| Schlagwörter: | |
| Print version:: | Schneider, Steven Jay, Horror Film and Psychoanalysis, Cambridge : Cambridge University Press,c2004 |
| Kollektion: | E-Books adlr |
This volume explores the subject of psychoanalysis and film in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre. |
| Cover Half-title Series-title Title Copyright Dedication Contents Acknowledgments Foreword: "What Lies Beneath?" Introduction: Psychoanalysis in/and/of the Horror Film THE MYTH OF META-THEORY PSYCHOANALYTIC (HORROR FILM) THEORY AT A MINIMUM PSYCHOANALYTIC SUPPLEMENTATION NOTES PART ONE THE QUESTION OF HORROR-PLEASURE 1 "What's the Matter with Melanie?": Reflections on the Merits of Psychoanalytic Approaches to Modern Horror Cinema Nevertheless? VICIOUS CIRCLES UNIVERSALIZING TENDENCIES ANXIOUS VIEWERS NOTES 2 A Fun Night Out: Horror and Other Pleasures of the Cinema GENERAL OBJECTIONS TO PSYCHOANALYSIS OBJECTIONS TO PSYCHOANALYTIC ACCOUNTS OF (HORROR) FILM SPECTATORSHIP Prince Crane Tudor Carroll Gaut CONCLUSION NOTES 3 Excerpt from "Why Horror? The Peculiar Pleasures of a Popular Genre" with a New Afterword by the Author THE RETURN OF THE REPRESSED THE UNCONSCIOUS OF IDEOLOGY AFTERWORD (MAY 2001) 4 Philosophical Problems Concerning the Concept of Pleasure in Psychoanalytical Theories of (the Horror) Film I II III NOTES PART TWO THEORIZING THE UNCANNY 5 Explaining the Uncanny in The Double Life of V´eronique FREUD AND THE UNCANNY DOUBLING AND THE PSYCHOANALYTIC UNCANNY REFLEXIVITY THE UNCANNY AND THE SUBLIME PLAYS UPON GENDER CONCLUSION NOTES 6 Manifestations of the Literary Double in Modern Horror Cinema THEORIZING THE DOUBLE MAPPING THE DOUBLE DEFENDING THE DOUBLE NOTES 7 Heimlich Maneuvres: On A Certain Tendency of Horror and Speculative Cinema EXAMPLES Classic Universal Studios Monsters The Godzilla Canon Jaws of the James Bond Cycle Terminators Animated Heimlich Maneuvres Heimlich Maneuvres in Myth, Folklore, and Literature HUMOR AND THE HEIMLICH MANEUVRE. Humor Related to Unheimlich Monsters Humor Related to Heimlich Monsters THE HEIMLICH MONSTER AS RECUPERATED CHILD, ADOLESCENT, PARENT . . . AND DIVINITY IN SUM NOTES 8 "It was a dark and stormy night . . .": Horror Films and the Problem of Irony I II III NOTES PART THREE REPRESENTING PSYCHOANALYSIS 9 What Does Dr. Judd Want? Transformation, Transference, and Divided Selves in Cat People I II III IV NOTES 10 "Ultimate Formlessness": Cinema, Horror, and the Limits of Meaning I II III 11 Freud's Worst Nightmare: Dining with Dr. Hannibal Lecter FREUD, FILM, AND MODERNITY THE MODERN SELF SCREEN MEMORIES SCREEN MEMORIES AND THE HORROR FILM THE OPTICAL UNCONSCIOUS HANNIBAL LECTER: THE CANNIBAL MONSTER PART FOUR NEW DIRECTIONS 12 Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value "FRACTAL DISTINCTIONS" THE TIMELESS TERRORS OF PSYCHOANALYSIS AND THE TIMELY SPIRITS OF SOCIOLOGY CONCLUSION NOTES 13 The Darker Side of Genius: The (Horror) Auteur Meets Freud's Theory "A CERTAIN TENDENCY" AND THE MURDEROUS GAZE: HORROR AND THE AUTEUR "AUTEUR DESIRE" AND THE PSYCHOPATHOLOGY OF GENIUS FILM THEORY'S WORST NIGHTMARE: THE HORROR AUTEUR FILM Shadow of the Vampire: Post-Lacanian Snuff Gods and Monsters and Classical Auteurism Ed Wood, Identity Politics, and the Anti-Auteur Psychology Today: American Movie, Trauma Culture, and the Self-Made Auteur NOTES 14 Violence and Psychophysiology in Horror Cinema I II III IV V NOTES Afterword: Psychoanalysis and the Horror Film NOTES About the Contributors Bibliography Index. |