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| veröffentlicht: | Toronto : University of Toronto Press, 2005. ©2004. |
| Teil von: |
Toronto Studies in Semiotics and Communication Series
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| Medientyp: | Buch, E-Book |
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| Umfang: | 1 online resource (693 pages) |
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| ISBN: |
9781442672956
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| Ausgabe: | 1st ed. |
| Sprache: | Englisch |
| Teil von: |
Toronto Studies in Semiotics and Communication Series
|
| Schlagwörter: | |
| Print version:: | Ehrat, P. Johannes, Cinema and Semiotic, Toronto : University of Toronto Press,c2005 |
| Kollektion: | E-Books adlr |
Based on Peirce's Semiotic and Pragmatism, Ehrat offers a novel approach to cinematic meaning in three central areas: narrative enunciation, cinematic world appropriation, and cinematic perception. |
| Intro Contents Acknowledgments Introduction 1 On Signs, Categories, and Reality and How They Relate to Cinema 1.1 The Use of Signs 1.2 The Construction of Meaning 1.3 Investigating Conduct as a Form 1.4 The Categories of Behaviour 1.5 The Categorial Form of Behaviour 1.6 Logic of Relations 1.7 The Metaphysics of Pragmaticistic Semiotic 2 Semiotic and Its Practical Use for Cinema 2.1 Cinema 'Is' a Class of Sign 2.2 The Iconism of Cinema: A first Semiotic Approach 2.3 (From Film Pragmatics to) The Pragmaticism of Cinema 3 What 'Is' Cinema? 3.1 Cinema 'Is' Syntagma 3.2 Cinema 'Is' Sign Function 3.3 Cinema 'Is' Percept 3.4 Cinema 'Is' Moving Matter or Time 3.5 What Cinema Becomes: Theory Objects Compared, Reconciled, Rejected Intermezzo: Cinematic Imagination of Godard's Je vous salue, Marie 4 Narration in Film and Film Theory 4.1 The Narratological Question, Peirce, and Cinema 4.2 The Semiotic of Narrative Time 4.3 Cinematic Time Intermezzo: Two Kinds of Narrative Time in Dreyer's Ordet 5 Narration, Time, and Narratologies 5.1 Ricoeur's Mimesis 5.2 Heidegger's Ekstasis 5.3 Aristotle's Poesis 5.4 Greimas's Semiosis 5.5 Bordwell's Formalism 5.6 Olmi's Genesi 6 Enunciation in Cinema 6.1 Enunciation: From Vagueness to Generality 6.2 Narrative Enunciation 6.3 Rhetorical Enunciation in Cinema: Meaning in Figures 6.4 Aesthetic Enunciation in Film Epilogue: Two Aesthetic Processes in Cinema Conclusion Notes Bibliography Filmography Index A B C D E F G H I J K L M N O P Q R S T U V W Z. |