| Beteiligte: | , |
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| veröffentlicht: | New York : Bloomsbury Academic & Professional, 2018. ©2018. |
| Medientyp: | Buch, E-Book |
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| Umfang: | 1 online resource (289 pages) |
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| ISBN: |
9781501337901
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| Ausgabe: | 1st ed. |
| Sprache: | Englisch |
| Schlagwörter: | |
| Print version:: | Tzioumakis, Yannis, The Hollywood Renaissance, New York : Bloomsbury Academic & Professional,c2018 |
| Kollektion: | E-Books adlr |
| Cover page Halftitle page Title page Copyright page CONTENTS LIST OF CONTRIBUTORS ACKNOWLEDGEMENTS INTRODUCTION Notes Chapter 1 BRIDGING COMMERCE AND CLASSIFICATION THROUGH THE AMERICAN ART FILM: THE CASE OF WHO'S AFRAID OF VI RGINIA WOOLF? (1966) Hollywood and the shifting cultural landscape The perfect storm of commercial and artistic forces Inspiring institutional change Virginia Woolf and the Hollywood Renaissance Conclusion Notes Chapter 2 THE FILM EDITORS WHO IN ENTED THE HOLLYWOOD RENAISSANCE: RALPH ROSENBLUM, SAM O'STEEN AND DEDE ALLEN'S BONNIE AND CLYDE (1967) Ralph Rosenblum's The Pawnbroker Sam O'Steen's The Graduate Dede Allen's Bonnie and Clyde Conclusion Notes Chapter 3 'I SMELL MONEY!': CLASS PRODUCT, THE GRADUATE (1967) AND THE CORPORATIZATION OF EMBASSY Introduction Joseph E. Levine and Embassy's diminishing returns Expensive and in English Cashing in on The Graduate Conclusion Notes Chapter 4 'A TRIUMPH OF AURA OVER APPEARANCE': BARBRA STREISAND, FUNNY GIRL (1968) AND THE HOLLYWOOD RENAISSANCE Fanny Brice, Ray Stark and Barbra Streisand Hollywood musicals and Streisand's pre-cinematic stardom Barbra Streisand and American cinema of the late 1960s and the 1970s Conclusion Notes Chapter 5 THE AUTEURIST SPECIAL EFFECTS FILM: KUBRICK'S 2001: A SPACE ODYSSEY (1968) AND THE 'SINGLE-GENERATION LOOK' 2001's effects program: The single generation look 2001: The Effects Production The Dawn of Man The Space Missions The Star Gate Conclusion Notes Chapter 6 'ABOUT AS BRUTAL, RELEVANT AND EXPLOITABLE AS THEY COME': MEDIUM COOL (1969) AND POLITICAL FILM MAKING To the barricades: Making Medium Cool Now it's on to Chicago: Images of '68 Conclusion: The medium or the message? Notes. Chapter 7 FROM EXPLOITATION TO LEGITIMACY: EASY RIDER (1969) AND IN DEPENDENT CINEMA'S JOURNEY INTO HOLLYWOOD Exploitation, independent and mainstream American cinema Another 'Biker' film: Easy Rider at AIP 'Hardly a pickup': Easy Rider, Raybert Productions and Columbia Pictures Conclusion: From exploitation to legitimacy, from the margins to the mainstream Notes Chapter 8 HOLLYWOOD TRADE: MIDNIGHT COWBOY (1969) AND UNDERGROUND CINEMA The axiom of European influence Midnight Cowboy's underground party 'Moving into our territory': Warhol, Flesh and Midnight Cowboy Conclusion Notes Chapter 9 ZABRISKIE POINT (1970), MICHELANGELO ANTONIONI AND EUROPEAN DIRECTORS IN HOLLYWOOD European directors in Hollywood Before Zabriskie Point Zabriskie Point and the Hollywood Renaissance After Zabriskie Point Notes Chapter 10 BECOMING HAL ASHBY: INTERSECTIONAL POLITICS, THE HOLLYWOOD RENAISSANCE AND HAROLD AND MAUDE (1971) Intersectional politics and the Hollywood Renaissance The cult intersectional politics of Harold and Maude Conclusion Notes Chapter 11 A MATTER OF RACE AND GENDER: LADY SINGS THE BLUES (1972) AND THE HOLLYWOOD RENAISSANCE CANON Lady Sings the Blues: Between the Hollywood Renaissance and black exploitation Old Hollywood to Hollywood Renaissance: Making Lady Sings the Blues Lady Sings the Blues: Gender, stardom and race Lady Sings the Blues: Scholarly and critical reception Conclusion Notes Chapter 12 DE NIRO AND SCORSESE: DIRECTOR-ACTOR COLLABORATION IN MEAN STREETS (1973) AND THE HOLLYWOOD RENAISSANCE De Niro, Scorsese and the 'Powers of Two' Improvisation in film: The 'Joey Clams' scene Conclusion: 'De Niro's Method' in the Hollywood Renaissance Notes Chapter 13 COPPOLA'S THE CONVERSATION (1974) AND WALTER MURCH'S SOUND WORLDS. The genesis of The Conversation The story The Conversation's setting Sources for The Conversation Sound theory Murch and sound worlds The difference from photorealism Conclusion Notes INDEX. |