| Authors and Corporations: | |
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| published: | Albany : State University of New York Press, 2018. ©2018. |
| Part of: |
SUNY Series in Latin American Cinema Series
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| Media Type: | Book, E-Book |
| Physical Description: | 1 online resource (222 pages) |
|---|---|
| ISBN: |
9781438470658
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| Edition: | 1st ed. |
| Language: | English |
| Part of: |
SUNY Series in Latin American Cinema Series
|
| Subjects: | |
| Print version:: | Losada, Matt, The Projected Nation, Albany : State University of New York Press,c2018 |
| Collection: | E-Books adlr |
Investigates how Argentine cinema has represented rural spaces and urban margins from the 1910s to the present. |
| Intro Contents Acknowledgments Introduction: A History of Erasures Chapter 1 National Modernization and the Production of Marginal Spaces in Early Feature Films Filmmaking Autonomy in the 1910s Three Gauchos El último malón: Positivism, Early Ethnography and an Ethic for Civilización Chapter 2 The Classical Cinema and the Perpetuation of a National Fantasy Formal Conventions and Rural Space The Cinema and National Modernization Projects of the 1930s National Spaces and Masculinities The Urban Margins and the End of the Classical Cinema: From Arrabal to Villa Chapter 3 An Inquisitive Gaze on the Nation The Birth of Cinephilia and the Short Film Feature Films Outside the Industry Nuevo Cine Narrative Feature Films Militant Film and Rural Space Fiction Films of the Primavera Camporista Commercial Cinema Responses to the Inquisitive Gaze Civilization, Discontents, and Scopophilia Faith: In the Father and the Son and the Culture Industry Chapter 4 Contemporary Cinema and the Neoliberal Social Margins The Cruel Optimism of Country Life Rural Space in Contemporary Film: Inquisitive Gazes on an Opaque World Pino Solanas and the End of the Pueblo Notes Works Cited Filmography Index. |