| Beteiligte: | , , |
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| veröffentlicht: | London : Bloomsbury Publishing Plc, 2020. ©2021. |
| Medientyp: | Buch, E-Book |
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| Umfang: | 1 online resource (257 pages) |
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| ISBN: |
9781350160309
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| Ausgabe: | 1st ed. |
| Sprache: | Englisch |
| Schlagwörter: | |
| Print version:: |
Jacobs, Steven, Art in the Cinema, London : Bloomsbury Publishing Plc,c2020
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| Kollektion: | E-Books adlr |
| Cover page Halftitle page Title page Copyright page Contents List of Figures Notes on Contributors Preface and Acknowledgements Introduction: the mid-century celluloid museum STEVEN JACOBS AND DIMITRIOS LATSIS Pre-war developments Post-war reconstruction and cultural organizations Major figures in Europe: Emmer, Storck, Resnais Education and research The art documentary as art Camera and canvas: documentaries on painting Key documentaries on sculpture Contemporary artists and acts of creation Art book and museum Television: standardization and deconstruction Notes 1 The institutional breeding grounds of the post-war film on art: key figures and networks behind the first International Conference on Art Films Joining forces: who founded FIFA? Les Amis de l'Art The conference's honorary committee UNESCO: a fresh impulse to the dissemination of culture ICOM: a new method for revealing art AICA: art criticism on screen Film: seminars of the arts Breeding ground or burial ground? Notes 2 American art comes of age: documentaries and the nation at the dawn of the Cold War Americaness and Art Discovers America Soft power and Pictura Films Pictura: An Adventure in Art American art documentaries Notes 3 Art history with a camera: Rubens (1948) and Paul Haesaerts' concept of cinéma critique Haesaerts and the illustrated art book Preparations, production and awards Rubens as art criticism without words Rubens and the formalist tradition Rubens as a film on art versus an art film Notes 4 Carlo Ludovico Ragghianti's critofilms and beyond: from cinema to information technology Notes 5 André Bazin's art documentary in Saintonge Notes. 6 Projecting cultural diplomacy: Cold War politics, films on art, and Willard Van Dyke's The Photographer Films on art and post-war American culture The Cold War and the art of cultural diplomacy Celluloid as soft power diplomacy Notes 7 Henry Moore and A Sculptor's Landscape: modernity, the land and the bomb in two television films by John Read A unique collaboration Return to Hoglands Henry Moore and the bomb Conclusion Notes 8 Creative process, material inscription and Dudley Shaw Ashton's Figures in a Landscape (1953) Ashton and Cornwall: landscape at stake Ashton's films on art and the development of Figures Ashton and Hepworth: geometry and abstraction National narratives: the film's reception Notes 9 Neoplasticism and cinema: Ilya Bolotowsky's experimental films on art Encounters in the art world Reflections on painting Myths of cinema and painting Policies and histories of art and film Notes Select bibliography: mid-twentieth-century art documentaries Index. |