| Beteiligte: | , , |
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| veröffentlicht: | Edinburgh : Edinburgh University Press, 2021. ©2022. |
| Medientyp: | Buch, E-Book |
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| Umfang: | 1 online resource (265 pages) |
|---|---|
| ISBN: |
9781474477840
|
| Ausgabe: | 1st ed. |
| Sprache: | Englisch |
| Schlagwörter: | |
| Print version:: | Egan, Kate, Researching Historical Screen Audiences, Edinburgh : Edinburgh University Press,c2021 |
| Kollektion: | E-Books adlr |
No detailed description available for "Researching Historical Screen Audiences". |
| Intro List of Figures Acknowledgements Notes on Contributors Introduction PART I BEING CREATIVE IN HISTORICAL AUDIENCE RESEARCH: RE-EVALUATING THE FIELD 1. Audience as Palimpsest, or the Structures of Cinematic Feeling: On Historical Film Audience Research and Cinema's Imaginative Power 2. From Cinema Culture to Cinema Memory: A Conceptual and Methodological Trajectory 3. Constructing Cinema Audience Histories: Methodological Choices and Challenges PART II RECONSIDERING NATIONAL AND TRANSNATIONAL CINEMAGOING HISTORIES 4. Cinemas and Cinema Audiences in the 'Third Space' in Warsaw, 1908-1939 5. German Films in Brazil: Immigration, Associations and National Film Culture 6. Emotional Communities in the Cinema: Tracing Emotion in Mass Observation Cinema Records, 1937-1950 PART III SHAPING AUDIENCE EXPECTATIONS: CINEMA MANAGERS AND MARKETING STRATEGIES 7. 'Make Your Public Curious': Cinema Management, Film Advertising and Audience Taste in England, c. 1920-c. 1960 8. Harry Sanders: Remembering a Life in Cinema Management 9. The Yellow Teddybears : Exploitation as Education PART IV HOME VIEWING CONTEXTS AND AUDIENCE MEMORIES 10. Archives, Sources and Memories for a History of Early Italian TV Audiences 11. The Exorcist in the Home: Remembering Parental Regulation 12. Childhood Memories of Horror Films in the Home: Questions, Patterns and Contexts Index. |