| Beteiligte: | |
|---|---|
| veröffentlicht: | Amsterdam : Amsterdam University Press, [2015] |
| Teil von: |
Film culture in transition.
Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; ; v. 25. |
| Medientyp: | Buch, E-Book |
| Umfang: | 1 online resource |
|---|---|
| Bibliografie: | Includes bibliographical references and index. |
| DOI: | 10.5117/9789089648914 |
| Zugang: | Open Access |
| ISBN: |
9048527554
9789048527557 9789089648914 9089648917 |
| Originaltitel: | Film als Theorie. |
| Sprache: | Englisch, Deutsch |
| Teil von: |
Film culture in transition.
Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; ; v. 25. |
| Schlagwörter: | |
| Kollektion: | JSTOR Open Access eBooks |
| Anmerkungen: | English. |
"This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create 'film as theory'"--Back cover |
| Cover Contents Preface to the English Edition Introduction Two Image Researchers 1. Le film qui pense Image, Theory, Practice Film as a "Concrete Medium" Film Theories / Film as Theory Difference and Theory Montage and Cinematic Thinking 2. The Camera as Brush-Film and Painting Narrating with Images: Breathless Exploding the Museum: Pierrot le fou Arranging Things: Still Life Processing Images: Passion 3. Deviation as Norm-Notes on the Essay Film 4. Cut-Interlude in the Editing Room What an Editing Room is: InterfaceMontage, toujours: JLG/JLG 5. Taking pictures-Photography and Film Displacing: The Carabineers Rendering: Before Your Eyes Vietnam Surveying: Images of the World and the Inscription of War 6. Two or Three Ways of Speaking with the Hands Asking Oneself: La Chinoise / Vent d'est Offering Oneself: Nouvelle vague Expressing Oneself: Georg K. Glaser / The Expression of Hands Conclusion Bibliography Acknowledgments Illustration Credits Index of Film Titles Index of Names |