Bibliographic Details
Authors and Corporations: Rodino-Colocino, Michelle, DeCarvalho, Lauren J., Heresco, Aaron
In: Television & New Media, 19, 2018, 7, p. 626-645
published:
SAGE Publications
Media Type: Article, E-Article

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further information
Physical Description: 626-645
ISSN: 1527-4764
1552-8316
DOI: 10.1177/1527476417709341
published in: Television & New Media
Language: English
Subjects:
Collection: SAGE Publications (CrossRef)
Table of Contents

<jats:p> Male exclusive spaces enable and dismiss discussion of misogynist violence, as they did during the 2017 U.S. presidential election. In the decade and a half prior, men-only, homosocial, domestic “man caves” became a cultural trend. Given man caves’ popularity and potential to enable patriarchal oppression, we ask: what do man caves suggest about masculinity’s vitality in an era wherein patriarchy reigns, but challenges to hegemonic masculinity are evident? To answer, we textually analyze Man Caves, DIY (Do-It-Yourself) cable channel’s renovation reality show. From a feminist perspective, we examine how Man Caves constructs “neo-orthodox masculinity,” our term for masculinity that recovers and challenges old forms of masculine capital. Through mutually contradictory themes, Man Caves makes over masculinity in ways that respond to feminism as a movement to end patriarchy. We conclude by considering how feminist anger, hope, and activism may exploit the vulnerabilities that neo-orthodox masculinity highlights. </jats:p>