Bibliographische Detailangaben
Beteiligte: Matoush, Toby Leigh
In: Asian Cinema, 18, 2007, 2, S. 243-251
veröffentlicht:
Intellect
Medientyp: Artikel, E-Artikel

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weitere Informationen
Umfang: 243-251
ISSN: 1059-440X
2049-6710
DOI: 10.1386/ac.18.2.243_1
veröffentlicht in: Asian Cinema
Sprache: Englisch
Schlagwörter:
Kollektion: Intellect (CrossRef)
Inhaltsangabe

<jats:p>The enormously popular It’s Tough Being A Man films iconized the search for a lost Japan and self-discovery through travel. Beloved by Japanese, the films played twice a year until the death of the hero, Tora-san. Cleverly manipulating the age-old conflict between giri (duty) and ninjo (feelings), the films capitalized on the popular furusato (hometown) boom and the modern “westernized” Japanese attempt to recuperate a vanishing tradition. Was the Japanese culture portrayed symptomatic of “invented tradition?” What did the interplay between travel and self-identity, periphery versus center, and madonna (beautiful, young woman) and travel signify?</jats:p>