Bibliographische Detailangaben
Beteiligte: Ciecko, Anne
In: Asian Cinema, 20, 2009, 2, S. 166-181
veröffentlicht:
Intellect
Medientyp: Artikel, E-Artikel

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weitere Informationen
Umfang: 166-181
ISSN: 1059-440X
2049-6710
DOI: 10.1386/ac.20.2.166_1
veröffentlicht in: Asian Cinema
Sprache: Englisch
Schlagwörter:
Kollektion: Intellect (CrossRef)
Inhaltsangabe

<jats:p>Film and television director, writer, and producer Izadore Musallam’s work stretches across national boundaries and explores shifting identities.1 Born and raised in the Middle East and educated as a filmmaker in North America, he continues to reside in Canada while making English and Arabic-language films at home and abroad. Musallam’s debut feature Foreign Nights (1989) dealt with cultural and generational clashes within the Arab diaspora with the story of a Canadian teen dancer and her traditional Palestinian parents; his follow-up Nothing to Lose (1994) is a gangster spoof about a French Canadian boxer. Heaven Before I Die (1997) is a comedy about a young man from Palestine who moves to Toronto, receives advice from the ghost of Lebanese poet Khalil Gibran played by Omar Sharif, and gets a job as a Charlie Chaplin imitator. Forbidden Fruit (2002) is an updated Adam and Eve story of the seduction of a priest.</jats:p>